Mother-and-son team Joan Washburn and Brian Washburn place themselves in painting’s expansive field.
Monday, March 8th, 2010

The Armory Show Modern (Pier 92): A photo journal

“The second year looks good,” commented Washburn, the type of dealer who makes returning to The Armory Fair Modern a pleasure.

Wednesday, April 16th, 2008

Thomas Nozkowski at PaceWildenstein

Even an astute connoisseur would be hard pressed to locate specific Nozkowskian tropes. There are some recurring motifs, but internal scale, texture, and mood present themselves in different coordinates. This is the more remarkable because Mr. Nozkowski’s modus operandi is so prescribed in terms of scale, medium, taste, and authentic touch.

Friday, May 26th, 2006

Joseph Marioni at Peter Blum, Jeremy Gilbert-Rolfe at Gray Kapernekas, Thomas Nozkowski at BravinLee Programs, Steven Mueller at Baumgartner Gallery

JOSEPH MARIONI Peter Blum until July 1 526 W. 29th Street, between Tenth and Eleventh Avenues, 212-244-6055 JEREMY GILBERT-ROLFE Gray Kapernekas until June 17 526 W. 26th Street, no. 814, between Tenth and Eleventh Avenues, 212-462-4150 THOMAS NOZKOWSKI: WORKS ON PAPER BravinLee programs until June 17 526 W. 26th Street, no. 211, between Tenth and … Continued

Jake Berthot, Coming Morning, 2005, oil on canvas, 25 x 25 inches, Courtesy of Betty Cuningham Gallery
Friday, March 3rd, 2006

March 2006: Michael Brenson, Martha Schwendener, and Lilly Wei with moderator David Cohen

Rachel Whiteread at Luhring Augustine, Su-en Wong at Danese, Jake Berthot at Betty Cuningham and Thomas Nozkowski at Max Protetch

Thursday, February 23rd, 2006

Thomas Nozkowski at Max Protetch, Tony Berlant at Lennon, Weinberg

THOMAS NOZKOWSKI Max Protetch until March 18 (511 W. 22 Street, between Tenth and Eleventh Avenues, 212-633-6999) TONY BERLANT: Within Lennon, Weinberg until March 11 (514 W. 24 Street, between Tenth and Eleventh Avenues, 212-941-0012) Thomas Nozkowski’s paintings call out for oxymoronic exaltations: bravura reticence! Fluent awkwardness! Grandiose humility! Mr. Nozkowski’s inventions burst with a … Continued

Monday, August 1st, 2005

Paint it with Black

Betty Cuningham Gallery 541 West 25th Street 212-242-2772 This review first appeared in The New York Sun, July 21, 2005. Black is the primary color of the creative classes; every artling sports it. Now Betty Cuningham Gallery is trying it on the walls in a “search for resonant symbols”. Despite curator Phong Bui’s unsmiling jargon … Continued

Thursday, November 20th, 2003

Howard Hodgkin at Gagosian and Thomas Nozkowski at Max Protetch

“Howard Hodgkin” at Gagosian Gallery, until December 20 (555 W.24th Street at Eleventh Avenue, 212 741 1111). “Thomas Nozkowski: New Paintings” at Max Protetch until December 20 (511 W.22nd Street between Tenth and Eleventh Avenues, 212 633 6999). For most of its history, non-representational painting favored the universal over the particular. The very word “abstraction” … Continued

Saturday, November 1st, 2003

Thomas Nozkowski: New Paintings

Max Protetch 511 W.22nd Street New York NY10011 Tel 212 633 6999 until December 20 Unpacking a Thomas Nozkowski painting is akin to reading Beckett, sinking into Raging Bull, or catching a Dylan song. An experience that always leaves you challenged but full of visual riches. First, the facts. Nozkowski’s working method is simple; a … Continued

Saturday, March 1st, 2003

Thomas Nozkowski Drawings

January 23 to March 1, 2003 New York Studio School 8 West 8 Street, New York NY 10011 The key drawings in Thomas Nozkowski’s exhibition were hung just inside the entrance to the gallery. S68, dated 1984, is a semi-abstract pictogram made from short brushstrokes. The image is centered on a large empty field of … Continued

James Siena, Lattice Painting (Red), 2000-2001. Enamel on aluminum, 29 1/16 x 22 11/16 inches, courtesy of Gorney Bravin & Lee
Thursday, November 1st, 2001

Thank Heaven for Little Pictures

Alex Katz’s Small Paintings at the Whitney, Woodcuts and Linocuts at Peter Blum, Thomas Nozkowski at Max Protetch, James Siena at Gorney Bravin & Lee, Elizabeth Peyton at Gavin Brown’s Enterprise