Tag: Pace Gallery
February, 2013: David Brody, Paddy Johnson and Peter Plagens with moderator David Cohen
Joined David Cohen to discuss Song Dong, Francis Alÿs, Diana Cooper, David Shrigley
Time Regained: The “Happenings” Show at Pace
A survey in photographs, films and art works runs through March 17
Ground Control to Major Tom: Please re-hang your show
Nozkowski’s current exhibition at Pace includes his best work to date, but the installation is another matter.
Revolution in Felt and Fat: Joseph Beuys’s New York comeback
Joseph Beuys: Make the Secrets Productive at Pace Gallery, March 5 to April 10, 2010
Pace Splits with Wildenstein
After 17 years, the gallery we have known as PaceWildenstein will be no more. In April 2010, Pace and Wildenstein announced that the partnership has been amicably dissolved. The Pace Gallery, regaining its independence, is also celebrating its 50th year. The two companies jointly stated that they would continue to pursue business opportunities together. Pace … Continued
March 2010: Kuo, Stevens, and Levi-Strauss with moderator David Cohen
Mike Nelson at 303 Gallery, Joan Jonas at Yvon Lambert, Anya Kieler at Rachel Uffner Gallery, and Robert Ryman at PaceWildenstein
Zhang Huan at Pace Wildenstein
With Zhang’s Rulai one senses the conflicting elements of life and death within the gray ash.
Chuck Close: Paintings and Tapestries from 2005-2009 at PaceWildenstein
The impulse to take Close for granted is perhaps all the greater because the work has an effortless assurance to it. But we must slow down, look past the facility, past the celebrity, to find the real investigation still taking place.
Jim Dine: Hot Dream (52 Books) at PaceWildenstein
Pinocchio’s nose grew when he lied, and so he is a perfect role model for this artist whose magnificently chaotic installation presents the truthful lies of art
Thomas Nozkowski at PaceWildenstein
Even an astute connoisseur would be hard pressed to locate specific Nozkowskian tropes. There are some recurring motifs, but internal scale, texture, and mood present themselves in different coordinates. This is the more remarkable because Mr. Nozkowski’s modus operandi is so prescribed in terms of scale, medium, taste, and authentic touch.
