Steve Mumford, Police Try to Separate Back the Blue Demonstrators and Counterprotestors, Bayridge, Brooklyn, NY, Jul. 12, 2020, 2020. Pencil on paper, 11 x 15.5 inches. Courtesy of Postmasters Gallery and the Artist
Wednesday, December 23rd, 2020

There to Observe: Steve Mumford’s Dispatches from Rallies and Protests

An exhibition of drawings and watercolors at Postmasters this fall

Perry Hoberman, Suspensions, 2018. Installation view with visitor preparing to wear VR goggles. Courtesy of the artist and Postmasters, New York
Tuesday, March 27th, 2018

Non-Trip to a Non-Site: Perry Hoberman’s Suspensions

Combining virtual reality and assemblage, on view at Postmasters through March 31

Wednesday, May 27th, 2015

Naked City: Holly Zausner at Postmasters

The artist’s new video shows the city emptied, but nonetheless full of majesty.

David Diao, 40 Years of His Art, 2013. Acrylic and vinyl on canvas, 40 x 60 inches. Courtesy of Postmasters
Friday, April 26th, 2013

Towards A Sense of Closure: David Diao’s TMI at Postmasters

The last day of show and space alike is Saturday, April 27.

Rafäel Rozendaal, Finger Battle. Video game. Courtesy of Postmasters Gallery
Friday, December 16th, 2011

“That Big Red Button Was Irresistible”: Play Station at Postmasters

Instructors at Pratt Institute’s Digital Arts program are let loose in a show of artist-made video games

Haim Steinbach, wild things, 2011. Plastic laminated wood shelf, plastic Massimo Giacon “Mr. Cold” soap dispenser, vinyl “Mega Munny”, vinyl Bull “Where the Wild Things Are” figure, rubber dog chew, 40 1/2 x 72 3/4 x 19 Inches, Courtesy Tanya Bonakdar Gallery
Friday, September 30th, 2011

September 2011: Berwick, Bronson, and Johnson with moderator David Cohen

Anthony Goicolea at Postmasters, Leandro Erlich at Sean Kelly, Alex Katz at Gavin Brown’s enterprise, and Haim Steinbach at Tanya Bonakdar Gallery

Tuesday, February 17th, 2009

David Diao: “I lived there until I was 6…” at Postmasters

For decades, Diao has injected deeply personal, even confessional content onto the placid surfaces and into the untroubled spaces of Modernism by way of a formal vocabulary grounded in the conventions of presentation diagrams, plans, text. The new work retains its erstwhile formal elegance and restraint, but rueful humor is replaced by a seething emotional undertow stemming from the artist’s inherited memories of his family’s displacement and fragmentation at the hands of the Chinese government.

Friday, June 1st, 2007

Anthony Goicolea: Almost Safe

Postmasters Gallery 459 W 19 Street New York City 212 727 3323 April 28- June 2, 2007 Anthony Goicolea’s photographs are fantastical constructions of derelict landscapes. His large-scale black and white photographs—they measure up to eight feet wide—fill the front room at Postmaster, depicting traces of man’s interaction with the natural environment in a surreal … Continued

Friday, April 1st, 2005

Diana Cooper

Diana Cooper at Postmasters