Giorgio Morandi, Giorgio Morandi, Still Life (Natural Morta) 1953. Oil on canvas, 8 x 15-3/4 inches, Washington DC, The Phillips Collection © Giorgio Morandi by SIAE 2008
Monday, September 1st, 2008

Giorgio Morandi: Resistence and Persistence

GIORGIO MORANDI: Resistence and Persistence BY SEAN SCULLY On the occasion of Giorgio Morandi 1890-1964 at the Metropolitan Museum of Art, September 16 to December 14, 2008, we post abstract painter Sean Scully’s 2005 essay on his Italian forebear. This essay was first published in Sean ScullyResistance and Persistence: Selected Writings Edited by Florence Ingleby, (Merrell, … Continued

Monday, January 1st, 2007

Sean Scully: Wall of Light

Metropolitan Museum of Art 1000 Fifth Avenue New York September 28, 2006 – January 15, 2007 This article was first published in the New York Sun, September 28, 2006 By the time Sean Scully (b. 1945) began his career in the 1960s, two generations of the avant-garde had already established the legitimacy of nonrepresentational art. … Continued

Thursday, June 2nd, 2005

Sean Scully at Galerie Lelong, Ron Gorchov at Vito Schnabel

Sean Scully at Galerie Lelong until June 25 528 W 26 Street between 10th and 11th Avenues, 212 315 0470 Ron Gorchov at Vito Schnabel until June 25 250 Hudson Street, between Broome and Dominic, 212 627 7011 Perhaps it is his name that sets it off, but Sean Scully’s show of new paintings at … Continued

Thursday, July 29th, 2004

Sean Scully by David Carrier

Sean Scully by David Carrier Thames & Hudson, 224 pages, $65 Sean Scully does for stripes what Giorgio Morandi did for bottles. He turns an unpreposessing form into the cipher for a fulsome range of painterly emotions. Morandi’s jugs and jars were things in the world, still-life motifs that precariously balanced specificity and generalization. Mr. … Continued

Saturday, March 1st, 2003

Abstraction in Photography

Von Lintel Gallery 555 W 25th Street, New York February 6 – March 22 2003 I would venture to guess that your average person regards photography as the instant capture of reality simply because real places and things are often photographed, and because the resulting image is documentary in nature. But the document is not … Continued