Nicole Wermers’s sculptures operate both as clever art-historical jibes and contemporary political satire. Their ergonomic and utilitarian construction, using industrially produced materials, continues a kind of mainline homage to Marcel Duchamp, staging objects in ways that highlight their alien nature. Her Vertical Awnings series (rolled-up awnings with colored stripes) is coyly reminiscent of Daniel Buren’s stripes and Nancy … Continued