Thursday, July 28th, 2016

Diamond in the Smooth: Stephen Westfall at Lennon, Weinberg

“Color is liberated to function in a kinetic way”

Russell Roberts, Paper Bed, Concrete Head #1, 2015. Oil on canvas, 30 x 30 inches. Courtesy of Heskin Contemporary
Saturday, April 4th, 2015

Windows on a Complex World: Russell Roberts at Heskin Contemporary

Grid paintings that take a serial risk

Monday, July 14th, 2014

Stephen Westfall at artcritical

“HUBS” is a new category on artists and subjects discussed multiple times at artcritical

Friday, October 4th, 2013

October 2013: Ara Merjian, Roberta Smith, Stephen Westfall with moderator David Cohen

avid Adamo and James Castle at Peter Freeman, Inc; David Adamo at Untitled Gallery; Anna Betbeze at Kate Werble; Matthew Day Jackson at Hauser & Wirth; and Nan Swid at Margaret Thatcher Projects

Tuesday, August 2nd, 2011

Purism for Pragmatists: Stephen Westfall as Painter and Curator

The Ghost in the Machine at Lennon, Weinberg; REVERIE at Zürcher

Stephen Westfall, Too Much Love, 2008. Oil on canvas, 30 x 30 inches. Lennon, Weinberg, Inc
Monday, December 15th, 2008

Stephen Westfall at Lennon, Weinberg

Stephen Westfall at Lennon, Weinberg

Thursday, June 1st, 2006

The Material Sign: Craig Fisher, Marthe Keller, Phillis Ideal, Gwenn Thomas. Curated by Stephen Westfall

Florence Lynch Gallery 531-539 West 25th Street New York NY 10001 212.924-3290 June 1 – July 15, 2006 The Material Sign is the carefully chosen title given by painter and critic Stephen Westfall to this show of four artists: Craig Fisher, Phillis Ideal, Marthe Keller, and Gwenn Thomas. Their work, as Westfall writes in the … Continued

Wednesday, March 1st, 2006

White II: An Exhibition of White Paintings

Howard Scott Gallery 529 West 20th Street 646-486-7004 February – March 11, 2006 According to light theory, white is the sum of all colors. As a spiritual symbol, white occupies one end of another kind of spectrum; it’s the note of purity beyond life’s assortment of grays. For artists, though, white has a more down-to-earth … Continued