Wednesday, March 8th, 2017

Clarity of Facture: David Reed, 1975 at Gagosian

Historical exhibition, curated by Katy Siegel and Christopher Wool, seen earlier this season

Monday, February 6th, 2017

Autonomous Brushwork: Warhol, Wool, Guyton at Nahmad Contemporary

A small but striking exhibition on the Upper East Side

Leo Fitzpatrick, Never again (I was in love with you intill you left with him) again, 2013, acrylic on canvas 14”x 33”. Courtesy of the National Exemplar Gallery.
Saturday, February 15th, 2014

“the poems keep getting shorter/the explanations longer”: Leo Fitzpatrick at the National Exemplar

A young artist’s still-life portraits of poetry, now extended to February 22

Christopher Wool Untitled, 2001 Silkscreen ink on linen, 228.6 x 152.4 cm © Christopher Wool
Wednesday, January 22nd, 2014

A Critics’ Roundtable on Christopher Wool at the Guggenheim

Four writers share their thoughts on the painter’s retrospective

Rudolf Stingel, Untitled, 1987. Oil and enamel on canvas, 78 by 186 inches. Courtesy of Paula Cooper Gallery
Tuesday, September 4th, 2012

Abstraction Goes Underground: The Painting Factory at LA MoCA

“Abstraction After Warhol” featured 11 painters, most not using brushes

Wednesday, September 22nd, 2010

Vitality Amidst the Ruins: Lower Manhattan’s gritty golden age

Mixed Use, Manhattan: Photography and Related Practices at the Reina Sofia, Madrid, June 10 – September 2, 2010

Christopher Wool, She Smiles For The Camera I, 2005. Enamel on linen, 104 X 78 inches. Courtesy Luhring Augustine
Monday, June 28th, 2010

Painting Abstraction by Bob Nickas

In the 1980s, when painting was commonly said to be dead, many group shows were devoted to abstraction.