Featured Articles by Emmalea Russo
More Articles by Emmalea Russo
Misshapen figures reveal new ways of thinking about the human body on display.
Semo’s new sculptures use language and erotically industrial materials to manipulate and entice.
The artist discusses her work and her developing approach to its facture.
A new book by Siglio reproduces Calle’s 1980 performance, following a near-stranger through Venice.