Lilly Wei


More Articles by Lilly Wei

Last Judgment (Rev.: 20:11–15). Illuminated manuscript by Maius (Spanish, c.945). Morgan Library and Museum, New York
Monday, February 8th, 2021

A Character, A Force, A Diva: Barbara Rose, 1936 – 2020

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The legendary art historian and critic died last month, aged 84

Raphael, The School of Athens.
Thursday, May 3rd, 2018

“Sizzling at the Points of Transition”: Lilly Wei on Stephen Antonakos

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Proscenium is on view at the Neuberger through June 24

Thursday, May 26th, 2016

The Journey of Life is Circular: Fred Holland, 1951 to 2016

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simple, often organic materials intertwined personal memories with his African American heritage

Wasserman Projects, Detroit, with entry portal by Harley Valentine.
Thursday, October 15th, 2015

Painting the Town Red: Wasserman Projects, Detroit

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Gary Wasserman is one of Detroit’s most enthusiastic boosters

Edward Leffingwell, 1941-2014. Courtesy of Tom Leffingwell
Sunday, September 14th, 2014

Critic, Curator, Dandy: Edward Leffingwell, 1941 to 2014

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A cosmopolitan of astringent, forthright wit, according to his friend, Lilly Wei

Jene Highstein, Flora, 2011. Hand hammered stainless steel, ed. 3, 156 x 15 x 14 inches. Photo: Ross Willows. Courtesy of Art Omi
Saturday, May 4th, 2013

A Rebellious Sensuality: Jene Highstein, 1942 – 2013

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with an additional comment by sculptor Alain Kirili

Wednesday, September 22nd, 2010

Time out of Mind: On Deborah Garwood’s Evans Pond

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Garwood’s Evans Pond series showed at the Fundación Antonio Pérez, Cuenca, Spain this summer