Lilly Wei




More Articles by Lilly Wei

Last Judgment (Rev.: 20:11–15). Illuminated manuscript by Maius (Spanish, c.945). Morgan Library and Museum, New York
Monday, February 8th, 2021

A Character, A Force, A Diva: Barbara Rose, 1936 – 2020

The legendary art historian and critic died last month, aged 84

Raphael, The School of Athens.
Thursday, May 3rd, 2018

“Sizzling at the Points of Transition”: Lilly Wei on Stephen Antonakos

Proscenium is on view at the Neuberger through June 24

Thursday, May 26th, 2016

The Journey of Life is Circular: Fred Holland, 1951 to 2016

simple, often organic materials intertwined personal memories with his African American heritage

Wasserman Projects, Detroit, with entry portal by Harley Valentine.
Thursday, October 15th, 2015

Painting the Town Red: Wasserman Projects, Detroit

Gary Wasserman is one of Detroit’s most enthusiastic boosters

Edward Leffingwell, 1941-2014. Courtesy of Tom Leffingwell
Sunday, September 14th, 2014

Critic, Curator, Dandy: Edward Leffingwell, 1941 to 2014

A cosmopolitan of astringent, forthright wit, according to his friend, Lilly Wei

Jene Highstein, Flora, 2011. Hand hammered stainless steel, ed. 3, 156 x 15 x 14 inches. Photo: Ross Willows. Courtesy of Art Omi
Saturday, May 4th, 2013

A Rebellious Sensuality: Jene Highstein, 1942 – 2013

with an additional comment by sculptor Alain Kirili

Wednesday, September 22nd, 2010

Time out of Mind: On Deborah Garwood’s Evans Pond

Garwood’s Evans Pond series showed at the Fundación Antonio Pérez, Cuenca, Spain this summer