Lilly Wei

More Articles by Lilly Wei

Last Judgment (Rev.: 20:11–15). Illuminated manuscript by Maius (Spanish, c.945). Morgan Library and Museum, New York

A Character, A Force, A Diva: Barbara Rose, 1936 – 2020

Monday, February 8th, 2021

The legendary art historian and critic died last month, aged 84

Raphael, The School of Athens.

“Sizzling at the Points of Transition”: Lilly Wei on Stephen Antonakos

Thursday, May 3rd, 2018

Proscenium is on view at the Neuberger through June 24


The Journey of Life is Circular: Fred Holland, 1951 to 2016

Thursday, May 26th, 2016

simple, often organic materials intertwined personal memories with his African American heritage

Wasserman Projects, Detroit, with entry portal by Harley Valentine.

Painting the Town Red: Wasserman Projects, Detroit

Thursday, October 15th, 2015

Gary Wasserman is one of Detroit’s most enthusiastic boosters

Edward Leffingwell, 1941-2014. Courtesy of Tom Leffingwell

Critic, Curator, Dandy: Edward Leffingwell, 1941 to 2014

Sunday, September 14th, 2014

A cosmopolitan of astringent, forthright wit, according to his friend, Lilly Wei

Jene Highstein, Flora, 2011. Hand hammered stainless steel, ed. 3, 156 x 15 x 14 inches. Photo: Ross Willows. Courtesy of Art Omi

A Rebellious Sensuality: Jene Highstein, 1942 – 2013

Saturday, May 4th, 2013

with an additional comment by sculptor Alain Kirili

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Time out of Mind: On Deborah Garwood’s Evans Pond

Wednesday, September 22nd, 2010

Garwood’s Evans Pond series showed at the Fundación Antonio Pérez, Cuenca, Spain this summer