Max Kozloff




More Articles by Max Kozloff

Friday, July 24th, 2020

Max Kozloff on Judith Henry

“When masquerades do their work, proposing alternate faces for the ones we know or might expect, their impersonations are not subtle. Rather, they actively reach out to signal that a charade is in order, and a role is being played. They can’t help but pull appraisal toward their own contrivance, as such. A viewer may … Continued

Friday, July 24th, 2020

“Charade is in Order”: Judith Henry’s Beauty Masks

Role play and identity in an artist’s book

Monday, November 11th, 2019

 GASSED! Max Kozloff on John Singer Sargent’s Great War Masterpiece

Photos of Sargent hands by Dennis Kardon

Irving Petlin, The Nile
Wednesday, November 1st, 2017

Irving Petlin’s Facture

This essay has been published in conjunction with a survey of Petlin’s work at the National Arts Club, on view through January 4