Ariane Lopez-Huici: Photography
Lopez-Huici acknowledges the mythic power of the Venus of Willendorf, that of the earth mother and other myths of femininity, as she de-mystifies them through her subjects’ specificity and ambient humanity.
The Panza Collection: An Experience of Color and Light
As the skies become grey, the sunlight becomes scarce, and the air becomes frigid, we find in snowy Buffalo at the Albright-Knox, a respite for all of this, an oasis of color and light.
Thomas Demand at 303 Gallery and Merlin James at Sikkema Jenkins & Co
Merlin James and Thomas Demand might seem as different as two contemporary artists can be. But a coincidence of means begs a comparison between shows of overtly contrastive mood and art-world temper. For both artists make their final images from models of their own making.
Damien Hirst’s Shark
Hirst seems to play to the peanut gallery, the broadest audience, those who think of art as hallowed, more so because they don’t understand it.
Painting Then For Now; Fragments of Tiepolo at the Ca’ Dolfin
When these three Tiepolos at the Met were removed from the main salon of Ca’Dolfin, the intended site-specific lighting effects were lost. But Alpers, Hyde and Kulok recreate the way that, to quote Alpers and Baxandall, “the world, on Tiepolo’s account, presents a conundrum and his painting makes us conscious of having to work to make things out.”
Karen Yasinsky at Mireille Mosler, Alex McQuilkin at Marvelli, Isaac Julien at Metro Pictures
Where Yasinsky accesses early girlhood through dolls and dinky illustration technique, McQuilkin seems dedicated to a perpetual state of teenage angst. The specific identification of both with early cinema relates to a broader trend in feminist-influenced art.
The Age of Rembrandt: Dutch Paintings in The Metropolitan Museum of Art
In tribute to curator Walter Liedtke, tragically killed in the Metro-North train crash Tuesday.
Anthony Caro at Mitchell-Innes & Nash
These hefty yet open-form, emphatic yet enigmatic assemblages of prefabricated, found, and adapted components show a youthful, spry, curiosity-filled artist at the top of his game.
Anna Hostvedt: Recent Paintings
Tibor de Nagy Gallery 724 Fifth Avenue New York City 212 262 5050 October 4- November 10, 2007 Anna Hostvedt’s small, intricate paintings offer a personal vision of the mundane. One could say she is painting what Georgio Morandi would have painted had his window faced a non-descript American parking lot instead of an Italian … Continued