Criticism
Tuesday, April 21st, 2020
The American artist Kara Walker poses questions about slavery’s history and legacy with a major UK commission. ...
Wednesday, April 8th, 2020
The work of earlier artists can be found in scenes from this expat Russian painter’s adolescence. ...
Thursday, January 23rd, 2020
An exhibition that follows a fashion designer as she channels the spirit of her times ...

Friday, October 27th, 2017

Visualizing Historicism: Mary Kelly’s Personal Reckoning

Life examined through the prism of feminist engagement, at Mitchell-Innes and Nash through November 22

Saturday, October 14th, 2017

Spatial Dance: Jason Stewart Color Reliefs at Geary Contemporary

solo show in the project space ends October 14

Saturday, October 14th, 2017

Triumph of the Readymade: Damien Hirst in Venice

“Treasures from the Wreck of the Unbelievable” at Palazzo Grassi/Punta della Dogana

John Hoyland, 7.65, 1965. Acrylic on canvas, 120 x 84.5 inches. Courtesy of Pace Gallery © The John Hoyland Estate. All rights reserved, DACS 2017.
Saturday, October 14th, 2017

Bold, Beefy, British: John Hoyland Stain Paintings of the 1960s

On view through October 21 at Pace Gallery, 32 East 57th Street

Thursday, October 5th, 2017

Peekaboo: Rachel Rickert at E.TAY Gallery

“Frustrated vision can actually be fun,” writes Kalinovski. On view in TriBeCa through October 7

Robert Motherwell, The Hotel Corridor, 1950. Oil on masonite, 44 x 55 inches© Dedalus Foundation, Inc. / Licensed by VAGA, NewYork, NY
Wednesday, October 4th, 2017

Not The Readymade Modernist After All: A revisionist take on early Robert Motherwell

Kasmin show challenges assumptions about artist’s beginnings

Ron Baron, detail
Tuesday, September 26th, 2017

Perilous Journeys: Ron Baron and Karina Aguilera Skvirsky at Smack Mellon

A sculptural installation and a film, each eloquent on the poignancy of human journeys

Nancy Hyanes, mise en abyme, 2015. Oil on linen, 21.5 x 26 inches. Courtesy of the artist and Regina Rex
Thursday, September 21st, 2017

Abstract and Concrete: The Monochromatic Paintings of Nancy Haynes

She showed at Regina Rex on the Lower East Side this spring

Claude Viallat, 1974/032, 1974. Dye on fabric, 77.2 x 86.6 inches. Courtesy of Ceysson & Bénétière
Saturday, September 2nd, 2017

From Mao to Matisse: Claude Viallat in New York

This survey of the Support/Surface artist, 1967 to 2017, was at Ceysson & Bénétière

Monday, August 28th, 2017

Romancing the Rose: Anselm Kiefer’s Eroticism at Gagosian

On view in Chelsea, extended to September 1