Criticism
Tuesday, April 21st, 2020
The American artist Kara Walker poses questions about slavery’s history and legacy with a major UK commission. ...
Wednesday, April 8th, 2020
The work of earlier artists can be found in scenes from this expat Russian painter’s adolescence. ...
Thursday, January 23rd, 2020
An exhibition that follows a fashion designer as she channels the spirit of her times ...

Installation shot, works by Lee Boroson, including Ruderal Object, 2017 Steel, maple branches, collages, fabric, mirror, hardware. Courtesy of Ildiko Butler Gallery, Fordham University at Lincoln Center Installation shot, works by Lee Boroson, including Ruderal Object, 2017 Steel, maple branches, collages, fabric, mirror, hardware. Courtesy of Ildiko Butler Gallery, Fordham University at Lincoln Center Installation shot, works by Lee Boroson, including Ruderal Object, 2017 Steel, maple branches, collages, fabric, mirror, hardware. Courtesy of Ildiko Butler Gallery, Fordham University at Lincoln Center
Tuesday, March 28th, 2017

Site Specific: Diana Cooper and Lee Boroson at Fordham

Prismatic Shifts, a two person show curated by Carleen Sheehan

Shinji Turner-Yamamoto, Pentimenti #1, 2010. Found plaster and chipped paint fragments, 24kt gold leaf, gesso, clay bole, animal glue, tree resin, 5-1/2 × 8 × inches. Courtesy of Sapar Contemporary
Tuesday, March 21st, 2017

Uprooted from our Native Soil: A Two-Person show asks timely questions about nature and sustainability

Shinji Turner-Yamamoto and Gabriela Albergaria at Sapar Contemporary

Wednesday, March 15th, 2017

To Organize Delirium: Five Installations by Hélio Oiticica

Currently in Chicago, coming to the Whitney this summer

Wednesday, March 8th, 2017

Clarity of Facture: David Reed, 1975 at Gagosian

Historical exhibition, curated by Katy Siegel and Christopher Wool, seen earlier this season

Sean Scully, 2014. Photo: Courtesy Museum Ludwig
Thursday, February 23rd, 2017

A Natural-Born Storyteller: The Writings of Sean Scully

Inner: The Collected Writings and Selected Interviews of Sean Scully

Thursday, February 23rd, 2017

The End of History: Adrian Ghenie at Pace

New works by the Romanian painter were on view at Pace in Chelsea

Yosef Zaritsky, Yehiam (Life on the Kibbutz), 1951. Oil on burlap mounted on canvas, 208 × 228 cm. Collection Tel Aviv Museum of Art
Tuesday, February 7th, 2017

Postwar: A Revisionist Vision from Munich

An major survey exhibition at the Haus der Kunst offers a global approach

Monday, February 6th, 2017

Autonomous Brushwork: Warhol, Wool, Guyton at Nahmad Contemporary

A small but striking exhibition on the Upper East Side

Terry Adkins, Darkwater Record, 2002. Estate of Terry Adkins, Courtesy Salon 94
Tuesday, January 31st, 2017

“Material Potentialities”: Terry Adkins and His Influence

An important exhibition, last year, at Penn’s Arthur Ross Gallery

Installation shot of the exhibition under review, including, far right, , #14-1959, 1959. Oil on canvas, 60 x 46 inches. Photo: Joan Boykoff Baron
Tuesday, January 31st, 2017

The Marvelous Void: Exhibitions in Los Angeles and New York of John McLaughlin

a major retrospective at LACMA of the Asia inspired abstractionist, through April 16