Criticism
Tuesday, April 21st, 2020
The American artist Kara Walker poses questions about slavery’s history and legacy with a major UK commission. ...
Wednesday, April 8th, 2020
The work of earlier artists can be found in scenes from this expat Russian painter’s adolescence. ...
Thursday, January 23rd, 2020
An exhibition that follows a fashion designer as she channels the spirit of her times ...

Saturday, October 27th, 2018

Initial Impact: Benjamin Pritchard and the Art of Legible Shapes

Wayfarer, his first show at SFA Projects, through Sunday

Elena Sisto, Rapunella, 2018. Oil on linen, 24 x 30 inches. Courtesy of the artist and Bookstein Projects
Sunday, October 21st, 2018

A New Ecology of Signs: Elena Sisto beyond the studio

As We Dream at Bookstein Projects through October 27

Installation shot, Graham Nickson: Cumulus, Monumental Trees and Transient Skies, at the New York Studio School, 2018, with works from the Monumental Tree series in the collection of the Louis-Drefus Family Collection. Image courtesy of the New York Studio School
Thursday, October 18th, 2018

Saturated Color and Subtle Harmonies: Graham Nickson’s Watercolors

“Cumulus, Monumental Trees and Transient Skies”, on view at the New York Studio School

Saturday, October 13th, 2018

The Sounds of Music: Marilyn Lerner at Kate Werble Gallery

Walking Backward Running Forward was on view this fall

Friday, October 12th, 2018

Subtle Ambiguities: Katherine Bradford at CANADA

Her show, titled “Friends and Strangers”, is up through October 21

Hannes Schmid, Cowboy #230, 2017. Oil on linen, 48 x 71 inches. Courtesy of Mitchell Algus Gallery
Wednesday, October 10th, 2018

“Fuck Richard Prince”: The Stolen Memes of Hannes Schmid

on view at Mitchell Algus through October 14

Friday, October 5th, 2018

Endless Cycles of Misogyny: Julie Heffernan at P.P.O.W.

“Hunter Gatherer” closes in Chelsea on Saturday

Tim Kent, Stored Memory, 2018. Oil on canvas, 80 x 100 inches. Courtesy of the artist and Slag Gallery
Thursday, October 4th, 2018

The Matrix: Tim Kent at Slag Gallery

Dark Pools and Data Lakes, on view in Bushwick through October 7

Jason Stopa, The Big Picture, 2018. Oil on canvas, 62 x 48 inches. Courtesy of the artist and Steven Harvey Fine Art Projects.
Wednesday, October 3rd, 2018

Jason Stopa: Between Audience and Stage

The Gate was at Steven Harvey in August

Tuesday, October 2nd, 2018

Noughts and Crosses: David Row at Loretta Howard

His show, “Counter Clockwise”, runs through October 20