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Friday, September 11th, 2015
Gabriel A. Maher, DE___SIGN (video), 2014. Courtesy of the artist
an exhibition at the intersections of craft, gender and modernism ...
Wednesday, September 9th, 2015
The proceedings of a recent symposium on af Klint’s work have been compiled into a new book. ...
Wednesday, August 12th, 2015
Andrew Forge, Willow, 1999. Oil on canvas, 42 x 44 inches. Courtesy of Betty Cuningham Gallery
Parallel qualities in painter and composer sustain a connection between the two ...

George Sugarman, Yellow and White, 1967. Oil on Wood, in two parts, 25-1/2 x 35-1/2 x 27-1/2 each. © Estate of George Sugarman, courtesy Gary Snyder Gallery, New York
Friday, September 12th, 2014

Take Another Look: Irving Sandler in Conversation with Franklin Einspruch

“Irving Sandler: Out of Tenth Street and Into the 1960s” is at Loretta Howard Gallery

Tuesday, September 9th, 2014

Sharp Details, Fuzzy Lines: Images of Ferguson, MO

Examining and learning from the images from Ferguson, MO.

A recent meeting of the Breakfast group, Berkeley, California
Saturday, May 3rd, 2014

The Breakfast Group: Exhibition at Richmond Art Center Toasts Bay Area Institution

Informal cafe society has met Friday mornings for half a century

Installation shot, Daniel Levine: The Way Around, at Churner and Churner Gallery, New York
Thursday, January 30th, 2014

“Some of the paintings are smarter than me”: Daniel Levine Talks Monochrome

On view at Churner and Churner through February 22

David Hockney, A Bigger Message, 2010. Oil on 30 canvases, 36 x 48 inches each, 180 x 288 inches overall. © 2013 David Hockney. Photo: Richard Schmidt
Sunday, December 8th, 2013

David Hockney: A Bigger Vision

An artist of unflagging curiosity about picture-making and relentless rhythm of production

John Dubrow, Family Portrait, Upper West Side, 2010-11. Oil on linen, 50 x 66 inches. Courtesy of Lori Bookstein Fine Art
Sunday, October 27th, 2013

“Curating for the Kids”: Artist Jill Nathanson makes the case for real collectors

On Collectors Who Look (and Think) for Themselves

Honore Daumier, Galerie Tableaux. Image taken from Wikimedia Commons, the free media repository.
Monday, September 23rd, 2013

A Gallerist is [please fill in the blank]

What differentiates a “gallerist” from a dealer or a curator?

Olausen, credit line and permission TK
Friday, August 30th, 2013

The Real Thing: An Interview with Rosalind E. Krauss

“A medium is a little bit like a language—you can’t just speak it once, it is repeated”

Steve Wheeler, Introducing Miss America II, 1947, Tempera and ink on paper, 9 ¾ x 11 7/8 inches, courtesy of David Findlay Jr Gallery
Wednesday, April 10th, 2013

The Freewheelin’ Steve Wheeler: David Brody and Drew Lowenstein in Conversation

Regulars at artcritical test the enduring relevance of the pioneer Indian Space painter

Installation shot of the exhibition under review, Ai Weiwei: Forge (2012) at Mary Boone Gallery
Sunday, December 2nd, 2012

Storms before the Storm: Pre-Sandy, Chelsea Awash with Disaster

In an eerie augury of the hurricane, shows about earthquakes, tsunamis and capsized cruisers