“How Comfortable it will be to touch the Earth”: Claire McConaughy at the Painting Center
On view in Chelsea through November 23
The New MoMA: Podcast of The Review Panel from November 2019
David Cohen’s guests were Sharmistha Ray, Seph Rodney, Raphael Rubinstein
GASSED! Max Kozloff on John Singer Sargent’s Great War Masterpiece
Photos of Sargent hands by Dennis Kardon
The Function of a Photograph: The Disconcerting world of Roe Ethridge
At the new Andrew Kreps space in Tribeca
The Review Panel on the New MoMA
artcritical.com/reserve The New Moma Museum of Modern Art, New York, 11 West 53rd Street, Midtown Manhattan Kehinde Wiley’s Rumors Of War Times Square Arts, Times Square: Broadway Plaza between 46th and 47th streets, Midtown Manhattan An Opening: Kameelah Janan Rasheed A sound and art installation drawn from the Muslims in Brooklyn oral histories collection Brooklyn Historical Society,…
Featured from THE LIST: Carol Syzmanski at Signs and Symbols
In the years that multi-disciplinary conceptual artist Carol Syzmanski supported her family with a day job as a corporate banker she was (a) obliged to maintain a wardrobe of designer suits by the likes of Valentino, Jill Sander and Alexander McQueen and (b) able to keep a portion of her mind focused on artistic creativity…
The Review Panel considers THE NEW MOMA, plus Kehinde Wiley and Kameelah Janan Rasheed
Tonight, with Sharmistha Ray, Seph Rodney and Raphael Rubinstein
Podcast of The Review Panel from October 2019
David Cohen’s guests were Karen E. Jones, Sophie Kovel and Christian Viveros-Fauné
An Insistence on Beauty and Exuberance: Alma Thomas at Mnuchin Gallery
On view through October 19 on the Upper East Side
Featured Item from THE LIST: Graham Nickson at Betty Cuningham
Graham Nickson is arguably the most galvanizing art educator seen in New York since Hans Hofmann, if you add up the alumni of his legendary drawing marathons and students of four decades at the New York Studio School. The British-born artist likes to challenge his charges to embrace the opposite of their usual practice or…
