featuresStudio visits
Monday, October 1st, 2018
Her exhibition at Theodore: Art runs through October 7 ...
Friday, September 28th, 2018
Natasha Wright, The Believers, 2018. Oil on canvas, 50 x 44 inches. Courtesy of the artist
Her recent show, Les Biches, was seen on the Lower East Side ...
Tuesday, September 4th, 2018
His public sculpture, Spot, is at NYU’s Hassenfield Children’s Hospital ...

Friday, June 5th, 2015

Tell Me: with Daniel Herr

The painter talks about the continuing importance of one of the 20th century’s most influential artists.

Saturday, April 25th, 2015

Tell Me: with Anne Sherwood Pundyk

The painter and critic discusses her talismanic, nomadic painting, its history and intersection with feminist performance and poetry.

Friday, April 17th, 2015

“A little bit of slippage”: The Sculptures of Painter James Siena

New sculptures at Pace, based on little-seen work the painter has been making since the 1980s.

Wednesday, April 8th, 2015

Presentational: Walter Darby Bannard on his early reductive paintings

A dialogue occasioned by his exhibition at Berry Campbell Gallery through April 18

Friday, February 20th, 2015

Tell Me: with Eric Sutphin

The first in a new series of features of two people taking about one artwork in person.

Sunday, February 8th, 2015

“Portraits are universal”: Peter Malone in Conversation with Jeanne Wilkinson

The painter and artcritical contributor discusses his art, his writing, craft, and the current state of painting.

Carin Riley, Knarr, 2014, Watercolor on paper, 20 X 28 inches. Courtesy of the artist.
Friday, May 2nd, 2014

Myths, Mosaics and Ink Drawing: A Studio Visit with Carin Riley

Riley’s show at the Queens College Art Center is up thru May 9

Monday, March 24th, 2014

A Fleeting Moment on the J Train: Robert Janitz on his recent work

“I used to be obsessed with the idea that the paintings only show you their backside, as if the real painting’s on the other side”

Clive Hodgson, Untitled, 2010. Oil on canvas, 16 x 12 inches. Courtesy of the Artist and White Columns
Tuesday, March 4th, 2014

“Coming Apart as Much as Coming Together”: A Conversation with Clive Hodgson

His debut US show opened at White Columns this week

Monday, May 27th, 2013

The World isn’t a Monochrome: In the Studio with DeShawn Dumas

A young painter on the eve of his first solo exhibition in New York