Installation shot of the exhibition under review, courtesy of Andrew Kreps Gallery, New York, showing two still lives by Roe Ethridge discussed by Kardon, Penn and Wet Butt, center, and White Asparagus and Ketchup, right, both 2019.
Thursday, October 31st, 2019

The Function of a Photograph: The Disconcerting world of Roe Ethridge

At the new Andrew Kreps space in Tribeca

Dan Miller, Untitled (dm148), 2011. Ink and acrylic on paper, 22 x 30 inches. Courtesy of Creative Growth Art Center
Sunday, March 11th, 2012

The Independent: Calm Joy Amidst Art Fair Claustrophobia

In Chelsea’s West 22nd Street, through Sunday

Sunday, March 30th, 2008

Ruth Root

For an abstract painter of her generation, the older distinctions between figurative and abstract art, or between politically critical art and the consumer products of mass culture cease to have much importance. Perhaps that is why her essentially cheerful art shows no signs of th angst which inspired so many of the pioneering Abstract Expressionists.