Stan Douglas, Two Friends, 1975, 2012. Digital C-print mounted on Dibond aluminum, 42 x 56 inches, edition of 5. Courtesy of David Zwirner Gallery
Friday, April 27th, 2012

April 2012: Lance Esplund, Maddie Phinney and Barry Schwabsky with moderator David Cohen

Joined David Cohen to discuss Polly Apfelbaum, Stan Douglas, Douglas Florian, Ron Gorchov, Eve Sonneman, Yang Fudong.

Monday, October 10th, 2011

Maelstrom Gathering Energy: Milton Resnick in the Seventies and Eighties

An Abstract Expressionist caught in purist transition.  At Cheim & Read through October 29

Tuesday, December 21st, 2010

The Raw and the Cooked: The late paintings of Hans Hartung

The French-German abstractionist’s first New York show since 1975, up through December 30

Joan Snyder, The Fall With Other Things in Mind, 2009, Oil, acrylic, papier mache, cloth, seeds, dried flower, and herbs on linen, Courtesy Betty Cuningham
Friday, September 24th, 2010

September 2010: Esplund, Hirsch and Scott with moderator David Cohen

Adam Fuss at Cheim & Read, Roman Signer at Swiss Institute, Arlene Shechet at Jack Shainman, and Joan Snyder at Betty Cuningham

Jonathan Lasker, Lesson in Reality, 2010. Oil on canvasboard, 12 x 16 inches. Courtesy of Cheim & Read
Friday, July 23rd, 2010

When Hypothesis Trumps Quality: Le Tableau at Cheim & Read

Le Tableau at Cheim & Read, through September 3, curated by Joe Fyfe

Joe Fyfe, After Corot, 2007. Felt, cotton and jute, 54 x 64 inches. Courtesy of Cheim & Read Gallery
Sunday, July 4th, 2010

Orgy in the Raw: Joe Fyfe’s “Le Tableau” at Cheim & Read

A geographically and historically wide-angled summer group exhibition.

William Eggleston Untitled (Water on Dirt Road, Las Poza, Mexico) 2005. Pigment print, 22 x 28 inches, Edition of 7 © Eggleston Artistic Trust Courtesy Cheim & Read, New York
Friday, February 19th, 2010

William Eggleston: 21st Century and Diane Arbus: In the Absence of Others at Cheim & Read

Eggleston and Arbus promoted the shared view that no subject is uninteresting when captured a compelling way.

Jack Pierson, Her Ancient Solitary Reign, 2009. Metal, wood and plastic, 109 x 129 x 4-3/4 inches. Cover NOVEMBER 2009: ABSTRACT #10, 2008. Metal and paint, 43 x 68 x 48 inches. Courtesy Cheim & Read.
Sunday, November 1st, 2009

Jack Pierson: Abstracts at Cheim & Read

Jack Pierson at Cheim & Read

Saturday, April 18th, 2009

Louise Fishman at Cheim & Read

Fishman had been asking very specific things of her chosen medium: how does one make it relevant to oneself and one’s history? How does one possess it? How do you filter your experiences through it?

Sunday, June 15th, 2008

Milton Resnick at Cheim & Read

There is a weird sense of a form searing its way through the canvas, from left to right, an accumulation of atomic energy boiling up the space it penetrates, making it a Monet for the nuclear age. It almost becomes tempting to read the image in cartoon-like graphic terms, or like a Futurist depiction of movement.