Saturday, May 14th, 2016

Sara Greenberger Rafferty’s Dresses and Books at Rachel Uffner

The artist explores the interrelation of intellectual, aesthetic, and corporeal adornment.

Monday, April 25th, 2016

SkyDancers and Concrete Poetry: Scott Zieher at Ampersand

The collagist and gallerist presents “Totems & Cantos” in Portland, OR.

Saturday, March 12th, 2016

Erogenous Zone: Aida Ruilova’s Erotic “Palace”

The artist’s iconic, sensuous new work borrows from charged 1970s film imagery.

Friday, January 15th, 2016

Point at Something: “Very Long Fingers” at Simone Subal

Misshapen figures reveal new ways of thinking about the human body on display.

Friday, November 6th, 2015

The Eternal Question: Carlos Vega on the ecumenical sources of his new work

His exhibition, “Faith Need Not Fear Reason,” is at Jack Shainman through December 5

Rodri?guez Calero, Transcendent, 2013. Acrollage painting, 48 x 36 inches. Courtesy of the artist.
Friday, September 4th, 2015

Holy Hip-Hop: A Rodriguez Calero Retrospective

The inventive painter and collagist creates new ways of making art and showing the lives of unrepresented people and cultures.

Wednesday, June 24th, 2015

Waste Not, Want Not: An Inquiry into What Women Saved and Assembled — Femmage

In homage to the late Miriam Schapiro, this classic text of the feminist art movement

Friday, April 24th, 2015

“Modulated and transformed”: A Curious Drawing Show in Budapest

A recent exhibition in Budapest plays with line, drawing, and depiction through a variety of mediums.

Analia Saban, Fireplace, 2015. Machine rendered acrylic paint on linen, 142.2 x 116.8 x 3.8 cm. Courtesy of the artist and Spru?th Magers.
Monday, March 30th, 2015

Sculpture and Painting on the Line: Analia Saban at Sprüth Magers

Dispatch from London Analia Saban: Interiors at Sprüth Magers February 27 to March 28, 2015 7A Grafton Street London, +44 20 7408 1613 The tradition of paint on canvas can act as a provocation to contemporary artists, who may do without either the liquid (e.g. Binky Palermo’s cloth) or the ground (e.g. Lynda Benglis’s pours). The Los … Continued