Thursday, March 3rd, 2016

Catherine Opie at Lehmann Maupin

A photographic portrait of Elizabeth Taylor via her home.

Saturday, September 26th, 2015

“The natural world is a vibrating mystery”: Billy Childish with Jessica Holmes

The artist and punk rock veteran discusses his new paintings and his life.

Friday, October 17th, 2014

Adventures Close to Home: Do Ho Suh at Lehmann Maupin

The artist’s drawings are collected in a new monograph and a show that spans both of Lehmann Maupin’s New York locations

Installation shot of the exhibition under review, Ai Weiwei: Forge (2012) at Mary Boone Gallery
Sunday, December 2nd, 2012

Storms before the Storm: Pre-Sandy, Chelsea Awash with Disaster

In an eerie augury of the hurricane, shows about earthquakes, tsunamis and capsized cruisers

Mary Corse, Untitled, 2011. Glass microspheres in acrylic on canvas, 114 x 90 inches. Photo Courtesy of Ace Gallery
Sunday, February 26th, 2012

See First, Think Later: The Art of Doug Wheeler and Mary Corse

The psychology behind Light and Space art and how it sensitizes us to subtleties

Friday, February 24th, 2012

February 2012: Faye Hirsch, Franklin Einspruch and Christina Kee with moderator David Cohen

Join David Cohen to discuss Mary Corse, Ridley Howard, Glenn Goldberg, and Joyce Pensato.

Jennifer Steinkamp, Premature 5 & 7, 2010. 3-D computer animation, projected. Courtesy of Lehmann Maupin
Monday, October 25th, 2010

“I think you know what the problem is just as well as I do”

Jennifer Steinkamp at Lehmann Maupin

Tim Davis, Drug Warriors (My Life in Politics), 2002-2004. C-print 60 by 48 inches. Courtesy On Stellar Rays
Saturday, July 10th, 2010

Nine Galleries, Nine Chapters of Lush Life, a novel by Richard Price

Curators Franklin Evans and Omar Lopez-Chahoud conceive multi-venue show amidst novel’s neighborhood

Thursday, June 1st, 2006

Christian Hellmich: Arrangement

Lehmann Maupin 540 W. 26th Street New York, N.Y., 10001 212 255 2923 June 1-July 14, 2006 All of Hellmich’s paintings include intentionally skewed architectural forms, buildings, staircases, facades, railings, escalators, warehouse interiors, cement partitions and roadways, doorways, garage doors, etc., and his use of architecture and perspective or orthogonals, is not haphazard or incidental. … Continued

Gilbert and George, White Bastards, 2004, mixed media, 83-1/2 x 99-1/4 inches, Courtesy Lehmann Maupin
Friday, December 3rd, 2004

December 2004: Joe Fyfe, Andrea Scott, and Roberta Smith with moderator David Cohen

Gilbert and George at Lehmann Maupin and at Sonnabend, Jesper Jest at Perry Rubenstein, Richard Tuttle at the Drawing Centre and Sarah McEneaney at Gallery Schlesinger