Tag: Martin| Chris
Initial Impact: Benjamin Pritchard and the Art of Legible Shapes
Wayfarer, his first show at SFA Projects, through Sunday
“This is how it’s done”: David Salle Curates Recent Painting
“Nice Weather” is at Skarstedt, uptown and Chelsea, through April 16
Burning Inside: Passion, Politics, and Disruption at Paul Kasmin
Arson as a kind of avant-garde, reorganizing our experience of the exhibition space.
One Year After Sandy…Brooklyn Comes Together
300+ artists have contributed work to a benefit show, opening Sunday, October 20, 4-8 PM
Brooklyn DIY: A Story of Williamsburg Art Scene 1987-2007 directed by Martin Ramocki
In Julian Schnabel’s film Basquiat, the title character, exemplar of the flameout credo of the East Village, is assisting an artist-installer at the Mary Boone Gallery. This mediocrity, played by Willem Da Foe, attempts to counsel the hero about the benefits of a reliable day job. Basquiat replies that someday he would show on those very … Continued
February 2008: James Gardner, Barry Schwabsky, and Robert Storr with moderator David Cohen
Ellen Berkenbilt at Anton Kern, Katy Grannan at Greenberg Van Doren Gallery and at Salon 94 Freemans, Jane Freilicher at Tibor de Nagy, William Kentridge at Marian Goodman and Chris Martin at Michell-Innes & Nash
THE MIAMI DIARIES – John Zinsser’s dispatches from the fairest city
Even for seasoned navigators, there’s a lot of getting lost to be done in Miami, with everything oriented NE, NW, condo towers being built everywhere blocking one-way streets. Looking for the Cisneros Fontanals Art Foundation (CIFO) near downtown, we first passed a group of boxy nightclub buildings. These are the after-hours places, which pick up … Continued
Chris Martin
Sideshow 319 Bedford Avenue Brooklyn NY 11211 September 17 – October 24, 2005 Art belongs to everyone. So Chris Martin has it at his current show at Sideshow. Or should I say around Sideshow. The first thing one notices on the approach is one of Martin’s signature abstractions looming large in black and red on the … Continued
