Wednesday, November 12th, 2014

Robert Gober Special: Dennis Kardon, Steve Locke and Lee Ann Norman

at MoMA through January 18

Wednesday, November 12th, 2014

The Body Manifest: Steve Locke on Robert Gober

Steve Locke discusses Gober’s use of formal and conceptual metaphor to visualize bodily suffering.

Monday, October 20th, 2014

Photo Presence, Video Fantasy: The Life and Work of Robert Heinecken

A traveling retrospective of Heinecken’s work is as timely as ever.

Lygia Clark, Clark’s proposition Diálogo de mãos ("Dialogue of hands," 1966), in use probably by Clark and Hélio Oiticica. The object is made of elastic. Courtesy Associação Cultural “O Mundo de Lygia Clark,” Rio de Janeiro.
Tuesday, August 19th, 2014

Offline: Lygia Clark and the Original Social Media

This ambitious retrospective of Clark’s work is one of the first major exhibitions of her work outside of Brazil.

Wednesday, June 25th, 2014

Suspect Artforms: Lee Ann Norman on Photographic Appropriation

Does the use of appropriation in photography show more than it hides?

Jasper Johns, Untitled, 2013. Ink on Plastic27-1/2 x 36 inches. The Museum of Modern Art, New York. Promised gift from a private collection. Art © Jasper Johns/Licensed by VAGA, New York, NY. Photograph: Jerry Thompson
Thursday, April 24th, 2014

Rubber Stamped Regrets: Jasper Johns at MoMA

Exhibition as exercise in shoring up reputation

Dorothea Rockburne, Scalar,1971. Chipboard, crude oil, paper and nails, 80 x 114-1/2 inches. The Museum of Modern Art, New York © 2014 Dorothea Rockburne / Artists Rights Society (ARS), New York
Tuesday, January 28th, 2014

Thought Embodied: Dorothea Rockburne’s Drawing Which Makes Itself

now in its final week at MoMA

Jana Winderen, Disco Bay, 2007, field photograph, Greenland. Courtesy of the artist.
Monday, October 28th, 2013

Imperfect Pitch: In Search of Sound at MoMA

The museum’s first show dedicated to sound art is up through Nov 3

René Magritte, Time Transfixed, 1938. Oil on canvas, 57-7/8 x 38-7/8 inches. Art Institute of Chicago. © 2013 C. Herscovici, Brussels / Artists Rights Society (ARS), New York
Wednesday, October 9th, 2013

“Freeze!”: René Magritte and the Visual Oxymoron

Decades since Surrealism erupted on the horizon, his defamiliarized commonplace forms can still induce vertigo

Joanne Ziprin, screen-printed greeting card for Inkweed Art [“Stop doodling! Be my Valentine~”] 4 7?8 x 23 7?8 inches, ca. 1952. Photo credit: Jeffrey Sturges. Courtesy of the artist and Maccarone, New York.
Tuesday, October 8th, 2013

Carol Bove’s Uncanny Authorship

A staged meeting of the art object with its other at Maccarone