Tag: photography

Installation shot of the exhibition under review, courtesy of Andrew Kreps Gallery, New York, showing two still lives by Roe Ethridge discussed by Kardon, Penn and Wet Butt, center, and White Asparagus and Ketchup, right, both 2019.
Thursday, October 31st, 2019

The Function of a Photograph: The Disconcerting world of Roe Ethridge

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At the new Andrew Kreps space in Tribeca

Gauri Gill. Untitled from the series Acts of Appearance. 2015–ongoing. Pigmented inkjet print. The Museum of Modern Art, New York. Acquired through the generosity of Robert B. Menschel. © 2018 Gauri Gill
Tuesday, August 28th, 2018

Mask Life: The Mystical and the Mundane in Gauri Gill

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“Projects 108” is at PS1 through September 3

Wednesday, December 7th, 2016

Reverberations: Revisiting David Ireland’s “Skellig” Work

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The life and work of an influential West Coast Conceptualist, and the estate that houses his legacy.

Étienne Léopold Trouvelot, Étude d’étincelle, ca. 1885. Albumen print, 30 x 24 cm. Collection of Thomas Ruff.
Monday, September 12th, 2016

Subjective Contexts: Thomas Ruff at AGO

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Process and history are manipulated and explored through Ruff’s use of found photographs.

Installation view, "Jonathan Horowitz: Occupy Greenwich," 2016 at the Brant Foundation. Photo by Tom Powel Imaging, Inc. Courtesy The Brant Foundation.
Wednesday, September 7th, 2016

Go Vegan!: Jonathan Horowitz at the Brant Foundation

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Contradiction, formalism, and politics in Greenwich, Connecticut.

Teresa Margolles, Irrigación (Irrigation), 2010. Single channel video projection, color, sound, 34:12. Courtesy of the artist and Galerie Peter Kilchmann, Zurich.
Sunday, August 21st, 2016

Implicated Viewers: Looking at Violence through Contemporary Latin American Art

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A show of activist art from across Latin America.

Verónica Puche, Granada, 2016. Archival pigment print, 13 x 17 inches. Courtesy of the artist
Friday, July 29th, 2016

Overlap: Intersecting Identities at the Baxter St. Camera Club

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A survey of new photography about identity.

Bas Jan Ader, Untitled (The Elements), 1971/2003. C-type print, 11 x 14 inches. Copyright The Estate of Bas Jan Ader / Mary Sue Ader Andersen, 2016 / The Artist Rights Society (ARS), New York. Courtesy Metro Pictures, New York and Meliksetian | Briggs, Los Angeles.
Wednesday, July 27th, 2016

Practicing Falling: Bas Jan Ader at Metro Pictures

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Twin surveys of Ader’s short but brightly burning career are mounted in New York and London.

Bas Jan Ader, Primary Time, 1974. Color U-matic video tape transferred to DVD, silent, PAL format, TRT: 26 minutes. Copyright the Estate of Bas Jan Ader / Mary Sue Ader Andersen, 2016 / The Artist Right’s Society (ARS), New York. Courtesy of Meliksetian | Briggs, Los Angeles and Simon Lee Gallery, London.
Wednesday, July 27th, 2016

The Fall: Bas Jan Ader at Simon Lee, London

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Twin surveys of Ader’s short but brightly burning career are mounted in London and New York.

Friday, June 24th, 2016

Guns, Guerrillas, Music Videos: The Propeller Group at the MCA Chicago and James Cohan

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Two recent shows of new work by the Propeller Group.