Tuesday, April 21st, 2020

Fons Americanus: Kara Walker at the Tate

The American artist Kara Walker poses questions about slavery’s history and legacy with a major UK commission.

Installation view, "Rachel Feinstein: Maiden, Mother, Crone," at the Jewish Museum, 2019 – 20.
Tuesday, February 4th, 2020

Fairy Tales and Feminism: Rachel Feinstein at the Jewish Museum

The artist takes on feminism and fantasy in her retrospective

Tuesday, February 26th, 2019

A Part of the Main: Davina Semo at Marlborough Contemporary

Her show of bells and mirrors was in Chelsea this winter.

Siah Armajani, Tomb for Frank O'Hara, 2016. Painted wood, 54 x 103 x 65 inches. Courtesy of the artist and Alexander Gray Associates.
Friday, December 16th, 2016

“Him for whom the world was not enough”: Siah Armajani at Alexander Gray Associates

An ode to poets, a philosopher, and a martyr, as tombs and temples to their greatness.

Wednesday, December 7th, 2016

Reverberations: Revisiting David Ireland’s “Skellig” Work

The life and work of an influential West Coast Conceptualist, and the estate that houses his legacy.

Installation view, "Joel Perlman: New Sculpture," 2016, at Loretta Howard Gallery. Courtesy of the gallery.
Thursday, September 29th, 2016

Man of Steel: Joel Perlman at Loretta Howard

An exhibition of new sculpture makes an argument for virtuosity.

Yeshaiahu Rabinowitz, Green Colored Head, ca. 2014-15. Synthetic felt, 43 x 26 x 19 cm.
Wednesday, September 14th, 2016

Heroic Fantasy: Yeshaiahu Rabinowitz at Hansen House

The Israeli sculptor and video artist contends with physical manifestations of war and trauma.

Installation view, "Jonathan Horowitz: Occupy Greenwich," 2016 at the Brant Foundation. Photo by Tom Powel Imaging, Inc. Courtesy The Brant Foundation.
Wednesday, September 7th, 2016

Go Vegan!: Jonathan Horowitz at the Brant Foundation

Contradiction, formalism, and politics in Greenwich, Connecticut.

Thomas Moor, Buechel001, 2016. Bubble wrap and mixed media. Courtesy of the artist and Despacio.
Tuesday, September 6th, 2016

Not for Nothing: Two Exhibitions at Despacio

Concurrent solo shows, running at a new experimental space in Costa Rica’s capital, explore the artifacts of collecting.

Bas Jan Ader, Primary Time, 1974. Color U-matic video tape transferred to DVD, silent, PAL format, TRT: 26 minutes. Copyright the Estate of Bas Jan Ader / Mary Sue Ader Andersen, 2016 / The Artist Right’s Society (ARS), New York. Courtesy of Meliksetian | Briggs, Los Angeles and Simon Lee Gallery, London.
Wednesday, July 27th, 2016

The Fall: Bas Jan Ader at Simon Lee, London

Twin surveys of Ader’s short but brightly burning career are mounted in London and New York.