David Mramor, Venus in Bed 3, 2014. Acrylic paint and archival inkjet on canvas, 48 x 72 inches. Courtesy of the artist and PPOW.
Friday, July 22nd, 2016

De Beauvouir’s Inheritors: “The Woman Destroyed” at PPOW

A painterly, sumptuous show of work by women.

Gardar Eide Einarsson, The Next Recession and Where to Hide, 2016. Acrylic, graphite and gesso on canvas, 87 x 71 inches. Courtesy of the artist and Team.
Friday, July 22nd, 2016

Encompassing Hostility: “Golden Eggs” at Team Gallery

A group show gives Marxist voice to recent unrest in art and politics.

Thursday, July 7th, 2016

“Art in a social universe”: Wilfredo Prieto in Conversation with Leslie Moody Castro

The sculptor talks about his exhibition in Mexico DF and cultural politics.

Paul Lee, "Washcloth Weight," 2016. Bath towel, washcloth, ink, aluminum, and steel, 127 1/2 x 105 inches. Courtesy of the artist and Maccarone, Los Angeles.
Monday, July 4th, 2016

Making Glorious Something Slight: Paul Lee at Maccarone, Los Angeles

Lee’s abstract sculpture and painting reveal technological, social, and art historical allusions.

Monday, June 27th, 2016

Master of Puppets: Jordan Wolfson at David Zwirner

Wolfson’s installation, an animatronic boy, is uncanny and awesome.

Installation view, "Martin Creed: The Back Door," 2016, at the Park Avenue Armory. Photograph by James Ewing, courtesy of the Park Avenue Armory.
Sunday, June 19th, 2016

Back Door Man: Martin Creed at the Park Avenue Armory

The Turner Prize-winning artist and musician’s exhibition is currently on view at the Park Avenue Armory.

Saturday, May 21st, 2016

Faith and Formalism: Rachel Harrison at MoMA

The sculptor examines religious faith as feeling carefully for something not fully seen.

Friday, May 20th, 2016

Screen Life or Real: William Leavitt’s “Telemetry” at Greene Naftali

The artist’s domestic tableaux use screens and ersatz furnishings to scrutinize the real world.

Saturday, May 14th, 2016

Sara Greenberger Rafferty’s Dresses and Books at Rachel Uffner

The artist explores the interrelation of intellectual, aesthetic, and corporeal adornment.

Tuesday, May 3rd, 2016

H/er Transformative Art: Genesis Breyer P-Orridge at the Rubin

An installation brings sympathetic magic to the museum.