Thursday, July 2nd, 2015

Bruce Gagnier: Shouldering into the Past

The sculptor presents a new series of torqued bronze figures, drawing from the past.

Saturday, June 13th, 2015

Barbara Madsen and Arezoo Moseni in Conversation with Eric Sutphin

Madsen has a new public art work, along with several smaller pieces, at the New York Public Library.

Friday, June 5th, 2015

Going with the Flow: Frank Bramblett at the Woodmere

The artist’s retrospective of curiously, thoughtfully used materials continues through June 21.

Joan Semmel, Purple Diagonal, 980. Oil on canvas, 78 x 104 inches. Courtesy of the artist and Alexander Gray Associates.
Tuesday, May 19th, 2015

Exposed: Shows by June Leaf and Joan Semmel

Two concurrent exhibitions by women painters, about the body, its love, and labors.

Friday, April 17th, 2015

“A little bit of slippage”: The Sculptures of Painter James Siena

New sculptures at Pace, based on little-seen work the painter has been making since the 1980s.

Thursday, April 16th, 2015

Viral Feminism: Anicka Yi at The Kitchen

A recent installation at The Kitchen explores the interrelation of the female body and the rhetoric of invasion and medicine.

Saturday, April 4th, 2015

Dallas in Wonderland: Chuck and George at CentralTrak

A group show of portraits of the artists by their friends, creates a maximalist collaborative installation in Dallas.

Thursday, April 2nd, 2015

Women’s Work: Considering Feminist Art Through Three Recent Shows

Concurrent exhibitions in Los Angeles provide a lens for thinking about successive generations of feminism in art.

Analia Saban, Fireplace, 2015. Machine rendered acrylic paint on linen, 142.2 x 116.8 x 3.8 cm. Courtesy of the artist and Spru?th Magers.
Monday, March 30th, 2015

Sculpture and Painting on the Line: Analia Saban at Sprüth Magers

Dispatch from London Analia Saban: Interiors at Sprüth Magers February 27 to March 28, 2015 7A Grafton Street London, +44 20 7408 1613 The tradition of paint on canvas can act as a provocation to contemporary artists, who may do without either the liquid (e.g. Binky Palermo’s cloth) or the ground (e.g. Lynda Benglis’s pours). The Los … Continued

Wednesday, March 25th, 2015

Darkly Iridescent: Vivienne Griffin at Bureau

The artist uses formalism and psychedelia to explore the ways in which we search for freedom from our personal and cultural histories.