Tag: Wilkin| Karen

Helen Frankenthaler, Bingo, 1962. Oil and collage on paper, 18-1/2 x 24-3/4 inches
Saturday, December 14th, 2019

Competitive Collaboration: Frankenthaler & Motherwell at Mnuchin

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On view on the Upper East Side through December 14

"This is from last year when he is ill, but his optimism and his pleasure to be talking with friends overwhelms his physical state." Photo, with comment, by James Hyde
Monday, May 27th, 2019

“He Was Free and Brave”: A Garland of Tributes for Thomas Nozkowski

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21 artists, critics and friends join editor David Cohen in remembering the late painter.

Wednesday, November 28th, 2018

Podcast of November’s edition of The Review Panel

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David Cohen’s guests were Jason Farago, Seph Rodney and Karen Wilkin

James Castle, Untitled (Red Jacket), n.d. Found paper, thread, crayon with applied paper buttons, 10.5 x 6.5 inches (Double-sided). The William Louis-Dreyfus Foundation Inc. © James Castle Collection and Archive LP
Tuesday, February 27th, 2018

Beyond Soot and Spit: Rethinking James Castle

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An important show of his work at the New York Studio School on view through March 4

Cora Cohen, 015-11, 2011. Archival ink jet, pencil on paper, 21.25 x 22.5 inches. Courtesy of the Artist
Thursday, July 14th, 2016

Slippery Conditions: A Show of Drawings by Cora Cohen

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Seen at the New York Studio School earlier this summer

Don Porcaro, Cabinet of Nomads, 2013-2015. Mixed media, 7 1/2 x 15 1/2 x 1 inch. Courtesy of the Artist
Monday, October 5th, 2015

Shape of Play: Sculpture by Don Porcaro

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in artcritical’s EXTRACT series, from the catalogue for his Summit, NJ exhibition

Williard Boepple, Woman who Blamed Life on a Spaniard, 999. pine, graphite, stain, wax. 51 x 40 x 27 inches. Courtesy of the artist and Lori Bookstein Fine Art
Monday, June 15th, 2015

The Bennington Legacy: Willard Boepple, Isaac Witkin and James Wolfe

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On view at Tower 49 Gallery through October

James Wolfe, Just Right, 2013. Powder Coated Steel, 32 x 32 x 14 inches. Courtesy of the Artist.
Wednesday, August 6th, 2014

Fluttering like Flags, Swaying like Saplings: Sculptures of James Wolfe

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On view at the New York Studio School through August 10

Werner Herzog, Hearsay of the Soul, Four channel digital projection, Photo Sheldan C. Collins, courtesy Whitney Museum of American Art
Friday, March 30th, 2012

March 2012: Bill Berkson, Will Heinrich and Karen Wilkin with moderator David Cohen

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Joined David Cohen to review the Whitney Biennial 2012

Sunday, March 22nd, 2009

Jack Bush: Works on Paper at the New York Studio School

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What most truly characterizes Bush’s mature work is a seriousness, even a gravitas that amounts to a truly Olympian detachment.