Artworld
Saturday, November 14th, 2020
This 2014 article on Matt Freedman is offered as tribute to the artist who died recently ...
Tuesday, September 11th, 2018
Instigator of Williamsburg’s Sideshow Nation, an annual show with hundreds of artists ...
Thursday, June 7th, 2018
Despite her range, Hafif was frequently allied with monochrome painters ...

Travis Collinson, Pinkie was painted by Thomas Lawrence but what if blue boy was a beat poet (Paule), 2013-14. Acrylic on linen, 64 x 48 inches. Collection of Berkeley Art Museum/Pacific Film Archive.
Monday, April 6th, 2015

Relentlessly Engaged: Paule Anglim, 1930-2015

with comments by Annabeth Rosen, Wayne Thiebaud and John Zurier

William King, Bob and Terry, c. 1954. Terra cotta, 14 x 14 3/4 x 5 5/8 inches. Courtesy of Alexandre Gallery
Thursday, March 5th, 2015

The Gentle Giant: William King, 1925-2015

In this tribute to the sculptor William King, who passed away peacefully Tuesday night at his Springs, New York home under hospice care, David Cohen draws on an essay he wrote in 2011 on King’s work for Iowa State University, Ames, where a number of his works are on permanent loan.  King, a former president of the … Continued

lWalter Ledtke. Courtesy of the Metropolitan Museum of Art
Wednesday, February 4th, 2015

Tribute: Walter Liedtke, Curator of Dutch and Flemish painting at the Met

He was the quintessence of a gentleman

Tuesday, February 3rd, 2015

The Hungry Connoisseur: Claude Simard, 1956 to 2014

An artist’s eulogy for her dealer, co-founder of Jack Shainman Gallery

Jane Wilson in front her painting, The Open Scene, 1960. Collection of The Museum of Modern Art. Photograph by John Jonas Gruen, May 1960.
Sunday, February 1st, 2015

“Looking for the Color Behind the Color”: Jane Wilson, 1924 to 2015

Wilson belongs to a tradition of transcendental American landscape

Irena Jurek, David Humphrey and Sarah Goffstein. Photo: Anna Shukeylo
Wednesday, January 28th, 2015

artcritical’s annual bash for writers and staff

at Sean Scully’s Chelsea studio, December 2014

Thursday, January 1st, 2015

“I Choose To Be Free”. Jake Berthot, 1939-2014

Touched by the sublime, his painting went beyond the sense of sight

Jane Freilicher, My Cubism, 2004. Oil on linen, 25 x 25 inches. Courtesy Tibor de Nagy Gallery
Friday, December 12th, 2014

“A button of color can make the world shake”: Jane Freilicher, 1924-2014

Jane Freilicher is my idea of an artist, writes Thomas Nozkowski

Friday, December 5th, 2014

artcritical at the Miami Art Fairs

“HUBS” is a new category on artists and subjects discussed multiple times at artcritical.

Regine Schumann, Colormirror Hohenzollern, 2013. Fluorescent and phosphorescent, 22 1/2 x 7 7/8 x 2 inches. Courtesy of Lausberg Contemporary, Dusseldorf
Friday, December 5th, 2014

Fairy Queen: Art Miami’s Consistency in Quality Can Rival Art Basel/Miami Beach

An emphasis this year on artists from German, including the Zero Group