Tuesday, April 21st, 2020
The American artist Kara Walker poses questions about slavery’s history and legacy with a major UK commission. ...
Wednesday, April 8th, 2020
The work of earlier artists can be found in scenes from this expat Russian painter’s adolescence. ...
Thursday, January 23rd, 2020
An exhibition that follows a fashion designer as she channels the spirit of her times ...

Tuesday, March 8th, 2022

Kinships: Mary Sherwood Wright Jones and the Lineage of Artists in her Wake

The artist’s grandmother instigated a complex creative lineage

Sunday, January 30th, 2022

When Women were easier to obtain than food: Picasso’s Blue Period

His early work, about to open at the Phillips Collection

Wednesday, January 19th, 2022

Mystery Cult: Jennifer Coates in a Brush with Mythology

At High Noon Gallery, Lower East Side, through January 23

Narrative: To the Memory of Matteo Giovannetti, 1967, by Larry Day. Oil on canvas, 65 1/2 x 76 3/8 in. (Gift of Ruth Fine in honor of Irving and Miriam Brown Fine, 2020)
Thursday, December 16th, 2021

Ironic Realism: The Larry Day Retrospective in Philadelphia

An exhibition shared between three institutions, including the Woodmere Art Museum through January 23

Friday, October 22nd, 2021

Born Again Abstraction: Jonathan Lasker at Greene Naftali

A survey of his paintings from 1987 to 2020

Thursday, October 21st, 2021

Report from Kinderhook: Feedback at Jack Shainman Gallery/The School

An exhibition curated by Helen Molesworth, on view through October 30

Friday, October 1st, 2021

I Transform Hate into Love: Louise Bourgeois at the Jewish Museum

“Freudian theory framed the challenging events of her life, its hidden emotions and anguish.”

Tomashi Jackson, The Three Sisters, 2021. Mixed media, 95 x 66-1/2 x 12-1/2 inches. Courtesy of the artist and Tilton Gallery
Wednesday, August 25th, 2021

Color Values: Tomashi Jackson at the Parrish

Tomashi Jackson: The Land Claim at the Parrish Art Museum July 7 to November 7, 2021 79 Montauk Hwy, Water Mill, NY 11976 On a balmy evening this summer  at the Parrish Art Museum, in open fields surrounding the museum, the grass swayed to the rhythmic beats and plaintiff chants of an ancient Algonquin … Continued

Brenda Zlamany, 100/100: Portrait #98 (Ruth Brunn), 2017; watercolor and pencil on paper, 12 x 9 inches, courtesy of the artist
Monday, August 23rd, 2021

The Ultimate Un-Selfie: Brenda Zlamany in Millerton

The Itinerant Portraitist on view at the Re Institute through September 18

Saturday, June 26th, 2021

Heating Up in Falls Village, Ct.: The Furnace/Art on Paper Archive

Inaugural show in Kathleen Kucka’s new space by Stephen Maine