Criticism
Thursday, January 23rd, 2020
 
Anna Sui Fashion Show Spring 1994. Photograph by Raoul Gatchalian
An exhibition that follows a fashion designer as she channels the spirit of her times ...
Sunday, March 3rd, 2019
 
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A derangement of the senses is arrived at via multifarious stimuli ...
Tuesday, February 26th, 2019
 
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Her show of bells and mirrors was in Chelsea this winter. ...
 

Tuesday, March 3rd, 2020

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Tsibi Geva: Structure and Entropy


A show of new paintings on view at Albertz Benda this winter

Friday, February 14th, 2020

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In the Company of an Ecstatic: Hyman Bloom in Boston


“I had a conviction of immortality, of being part of something permanent and ever changing”

Friday, February 14th, 2020

Hyman Bloom, The Harpies, 1947 © Stella Bloom Trust, Courtesy, Museum of Fine Arts, Boston

A Flood That Carries Along Beauty and Destruction: Suzanne Jackson at Ortuzar Projects


“Anti-canvases” like cascading, luminous tapestries

Friday, February 14th, 2020

the book under review

Mystery Man Revealed: The Biography of Friedel Dzubas


Patricia Lewy delves into the Color Field painter’s German childhood

Saturday, February 8th, 2020

Screen Shot 2020-02-08 at 8.10.26 AM

Window on the Environment: Etty Yaniv in DUMBO


at Main Window through February 13

Tuesday, February 4th, 2020

Installation view, "Rachel Feinstein: Maiden, Mother, Crone," at the Jewish Museum, 2019 – 20.

Fairy Tales and Feminism: Rachel Feinstein at the Jewish Museum


The artist takes on feminism and fantasy in her retrospective

Saturday, December 14th, 2019

Helen Frankenthaler, Bingo, 1962. Oil and collage on paper, 18-1/2 x 24-3/4 inches

Competitive Collaboration: Frankenthaler & Motherwell at Mnuchin


On view on the Upper East Side through December 14

Friday, November 22nd, 2019

Claire McConaughy, Beach Pines, 2019. Oil on canvas, 60 x 72 inches. Courtesy of the artist and the Painting Center

“How Comfortable it will be to touch the Earth”: Claire McConaughy at the Painting Center


On view in Chelsea through November 23

Thursday, October 31st, 2019

Installation shot of the exhibition under review, courtesy of Andrew Kreps Gallery, New York, showing two still lives by Roe Ethridge discussed by Kardon, Penn and Wet Butt, center, and White Asparagus and Ketchup, right, both 2019.

The Function of a Photograph: The Disconcerting world of Roe Ethridge


At the new Andrew Kreps space in Tribeca

Friday, October 18th, 2019

to follow

An Insistence on Beauty and Exuberance:  Alma Thomas at Mnuchin Gallery


On view through October 19 on the Upper East Side