Criticism
Sunday, March 3rd, 2019
 
Holling-cover
A derangement of the senses is arrived at via multifarious stimuli ...
Tuesday, February 26th, 2019
 
spot
Her show of bells and mirrors was in Chelsea this winter. ...
Friday, February 22nd, 2019
 
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Interventions in the permanent collection of American art, up through March 3 ...
 

Saturday, December 14th, 2019

Helen Frankenthaler, Bingo, 1962. Oil and collage on paper, 18-1/2 x 24-3/4 inches

Competitive Collaboration: Frankenthaler & Motherwell at Mnuchin


On view on the Upper East Side through December 14

Friday, November 22nd, 2019

Claire McConaughy, Beach Pines, 2019. Oil on canvas, 60 x 72 inches. Courtesy of the artist and the Painting Center

“How Comfortable it will be to touch the Earth”: Claire McConaughy at the Painting Center


On view in Chelsea through November 23

Thursday, October 31st, 2019

Installation shot of the exhibition under review, courtesy of Andrew Kreps Gallery, New York, showing two still lives by Roe Ethridge discussed by Kardon, Penn and Wet Butt, center, and White Asparagus and Ketchup, right, both 2019.

The Function of a Photograph: The Disconcerting world of Roe Ethridge


At the new Andrew Kreps space in Tribeca

Friday, October 18th, 2019

to follow

An Insistence on Beauty and Exuberance:  Alma Thomas at Mnuchin Gallery


On view through October 19 on the Upper East Side

Saturday, September 7th, 2019

Mimi B. Powers and Sarah Kebede-Fiedler in the production under review

God-Given to Create: “Quilting The Sun” at Theater for the New City


Set during Reconstruction in the South, a drama as schematic as the quilt it celebrates

Saturday, August 31st, 2019

March Avery, The Dead Sea, 2009. Watercolor and gouache on paper, 22 x 30 inches.

”The Poetry of Sheer Loveliness”: Milton Avery, Sally Michel and March Avery


Joan Boykoff Baron and Reuben M. Baron on Milton Avery, Sally Michel and March Avery

Thursday, August 22nd, 2019

Johan Wahlstrom, Disconnecting #1, 2017. Acrylic on canvas, 30 x 48 inches. Courtesy of the Artist and Ethan Cohen Gallery

Lost and Found: Faces and Figures in the Art of Johan Wahlstrom


Two shows, radically different in look, explore the human condition in a post-postmodern way

Thursday, August 8th, 2019

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Flotation Effect: Riad Miah at Wave Hill


His installation creates a mirage of gestures suspended in space

Tuesday, August 6th, 2019

T.W. Adorno in 1968

A Strange Antiquation: T.W. Adorno’s Aesthetics in 1968


A new contributor reviews Adorno’s Aesthetics

Thursday, August 1st, 2019

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Mode Shifting: Elizabeth Riley at SL Gallery


Her show of video and sculptural works in midtown through August 9