Sunday, March 3rd, 2019
 
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A derangement of the senses is arrived at via multifarious stimuli ...
Tuesday, February 26th, 2019
 
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Her show of bells and mirrors was in Chelsea this winter. ...
Friday, February 22nd, 2019
 
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Interventions in the permanent collection of American art, up through March 3 ...
 

Thursday, September 26th, 2019

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Featured Item from THE LIST: Graham Nickson at Betty Cuningham


Graham Nickson is arguably the most galvanizing art educator seen in New York since Hans Hofmann, if you add up the alumni of his legendary drawing marathons and students of four decades at the New York Studio School. The British-born artist likes to challenge his charges to embrace the opposite of their usual practice or…

Thursday, September 26th, 2019

Gary Hume, Curtains, 2019. Enamel paint on aluminum, 63 3/8 x 96 1/4 inches. Courtesy of Matthew Marks Gallery, New York

The Review Panel returns: Eva Díaz, Anthony Haden-Guest and Jason Stopa are David Cohen’s Guests


Brooklyn Public Library, Tuesday October 1

Saturday, September 7th, 2019

Mimi B. Powers and Sarah Kebede-Fiedler in the production under review

God-Given to Create: “Quilting The Sun” at Theater for the New City


Set during Reconstruction in the South, a drama as schematic as the quilt it celebrates

Saturday, August 31st, 2019

March Avery, The Dead Sea, 2009. Watercolor and gouache on paper, 22 x 30 inches.

”The Poetry of Sheer Loveliness”: Milton Avery, Sally Michel and March Avery


Joan Boykoff Baron and Reuben M. Baron on Milton Avery, Sally Michel and March Avery

Thursday, August 22nd, 2019

Johan Wahlstrom, Disconnecting #1, 2017. Acrylic on canvas, 30 x 48 inches. Courtesy of the Artist and Ethan Cohen Gallery

Lost and Found: Faces and Figures in the Art of Johan Wahlstrom


Two shows, radically different in look, explore the human condition in a post-postmodern way

Thursday, August 8th, 2019

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Flotation Effect: Riad Miah at Wave Hill


His installation creates a mirage of gestures suspended in space

Tuesday, August 6th, 2019

T.W. Adorno in 1968

A Strange Antiquation: T.W. Adorno’s Aesthetics in 1968


A new contributor reviews Adorno’s Aesthetics

Thursday, August 1st, 2019

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Mode Shifting: Elizabeth Riley at SL Gallery


Her show of video and sculptural works in midtown through August 9

Friday, July 19th, 2019

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Invader of Space: Leonardo Drew on his Madison Square Park commission and debut show at Galerie Lelong


Interview follows on from earlier encounter in 2016

Thursday, July 11th, 2019

Mark Greenwold, Christmas Painting, 1964. Acrylic on canvas, 51-1/2 x 48-3/4 inches. Courtesy of the artist and Garth Greenan Gallery

Careful What You Wish For: Mark Greenwold at Garth Greenan


Recent paintings take a significant turn