Features
Monday, October 1st, 2018
 
Her exhibition at Theodore: Art runs through October 7 ...
Friday, September 28th, 2018
 
Natasha Wright, The Believers, 2018. Oil on canvas, 50 x 44 inches. Courtesy of the artist
Her recent show, Les Biches, was seen on the Lower East Side ...
Tuesday, September 4th, 2018
 
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His public sculpture, Spot, is at NYU’s Hassenfield Children’s Hospital ...
 

Thursday, September 4th, 2003

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Yvonne Jacquette


Canaletto of the Skies Yvonne Jacquette has had a busy summer. Most of it, as usual, has been spent in Maine – she’s summered in the state since 1954. But there have been trips back to the city to make the final choice of photographs for the definitive book about the work of her late…

Thursday, August 28th, 2003

Gary Hume, Kate, 1996. Gloss paint and paper on aluminium panel, 82 x 46 inches, Courtesy Jay Jopling/White Cube (London

Kate Moss


Whatever it says in “The Wasteland,” from an art critic’s point of view, August is the cruelest month. Even the lingering group shows, the staple summer fare, peter out in the weeks before Labor Day. After Labor Day, la deluge, but when New York newspapers that usually don’t venture north of 90th Street start to…

Tuesday, July 1st, 2003

Karin Davie, Pushed, Pulled, Depleted & Duplicated #7, 2002. Oil on canvas, 84 x 108 inches, all images courtesy of Mary Boone Gallery

Notes on Karin Davie


Karin Davie at Mary Boone Gallery, New York

Monday, June 30th, 2003

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R.B. Kitaj


Renewal and Resistance “Where are all the beautiful women?” a lady asks R.B. Kitaj during the packed opening of his recent show at L.A. Louver, a leading gallery in Venice, California. “What?”, he replies, incredulously. Mr. Kitaj has battled deafness for many years, but even so would have had difficulty comprehending this question. The lady…

Sunday, June 1st, 2003

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Ashik Mene and Rino Stephani


Ashik Mene, a Turkish Cypriot artist living in the north part of Nicosia, was welcoming and unsurprised when he heard American English on his mobile phone. In a typically Cypriot way, word had already arrived that a foreign artist wanted to speak with him. It happened when he was waiting at the border crossing from…

Tuesday, April 1st, 2003

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Melissa Meyer


Melissa Meyer is big in Japan. Not in the euphemistic sense applied to rock stars, but literally. She has just completed her largest paintings to date there. Tokyo’s newest skyscraper, the Shiodome City Center, designed by Kevin Roche, John Dinkeloo, and Associates, is also, at 43 floors, the tallest. Ms. Meyer has created a pair…

Tuesday, April 1st, 2003

Joan Miró Untitled Drawing February 1, 1965. Ballpoint pen on paper, 7 7/8 x 5 7/8 inches, Collection of the Fundació Pilar i Joan Miró, Mallorca

Joan Miró: The Semiotics of Desire


The Shape of Color: Joan Miró Painted Sculpture
Corcoran Gallery of Art, Washington DC, September 21, 2002-January 6, 2003; Salvador Dali Museum, St. Petersburg, Florida, February 1-May 4, 2003. Catalogue by Laura Coyle, William Jeffett, Joan Punyet Miró, published by Scala and Corcoran

Wednesday, January 1st, 2003

Elizabeth Peyton, Paradis (Kirsty), 2001. Oil on boar,d 40 x 30 inches, courtesy Gavin Brown's Enterprise, Corp.

John Currin


Yale professors are telling their students that John Currin paints as well as Botticelli. I heard this yesterday from a young painter who was sent my way for career advice. Yale has probably the most illustrious art school in America. Its alumni litter the firmament; Currin (who was born in 1962 and is the hottest ticket this season) is only the most recent ascendant star.

Wednesday, January 1st, 2003

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David Brody


You have said that your paintings are “family disputes between order and derangement.” Can you talk about that? That’s just a metaphor that came to me; it doesn’t reveal itself in the final product in a literal way. It’s something that happens in my brain, the working out of the painting process. And I guess…

Friday, November 1st, 2002

Sergei Bugaev, still from "Stalker 3", courtesy I-20 Gallery

Those that sleep in the dust


Ethical issues surrounding the depiction of death in art, considering Stalker 3, the recent video installation by Sergei Bugaev, aka Afrika, at I-20 Gallery.
November 2 – December 14, 2002