Features
Monday, October 1st, 2018
Her exhibition at Theodore: Art runs through October 7 ...
Friday, September 28th, 2018
Natasha Wright, The Believers, 2018. Oil on canvas, 50 x 44 inches. Courtesy of the artist
Her recent show, Les Biches, was seen on the Lower East Side ...
Tuesday, September 4th, 2018
His public sculpture, Spot, is at NYU’s Hassenfield Children’s Hospital ...

Irving Petlin, The Nile
Wednesday, November 1st, 2017

Irving Petlin’s Facture

This essay has been published in conjunction with a survey of Petlin’s work at the National Arts Club, on view through January 4

Saturday, October 14th, 2017

Brenda Zlamany at the Derfner Judaica Museum, Bronx

a featured item from THE LIST

Monday, October 2nd, 2017

Jacob El Hanani Linescape: Four Decades at Acquavella Galleries

A featured item from THE LIST

Janet Fish, Salad Fixings, 1983. Oil on linen, 38 x 56 inches. Courtesy of the artist and DC Moore Gallery
Saturday, September 30th, 2017

Janet Fish: Pinwheels and Poppies, Paintings 1980-2008 at DC Moore Gallery

a featured item from THE LIST

Leslie Wayne, The Availability Bias, 2017. Oil on panel, 29.5 x 24 x 4 inches. Courtesy of the artist and Jack Shainman Gallery
Friday, September 22nd, 2017

The Family Clown: A Studio Visit with Leslie Wayne

Leslie Wayne: Free Experience at Jack Shainman Gallery, September 7 to October 21, 2017 Leslie Wayne is known for the vivid density and colorful materiality of her work, most recently a collection of what she called “paint rags” which hang from the wall, and are actually made of many layers of paint. Her latest work, … Continued

Jennifer Packer, Untitled, 2017. Oil on canvas, 10.5 x 12.5 inches. Courtesy of the artist and Corvi-Mora, London
Wednesday, September 20th, 2017

“Not Figures, Not Bodies, But Humans”: Jennifer Packer in conversation with Lee Ann Norman

Her show is at the Renaissance Society, Chicago, through November 5

Tuesday, September 19th, 2017

“Pure Sculptural Energy”: Seeing Rodin, Reading Steinberg

As the Met’s centennial Rodin exhibition opens, Leo Steinberg’s great essay from the 1960s is recalled

Clintel Steed, Runners #1 (Olympic Series), 2017. Oil on masonite, 48 x 19 inches. Courtesy of the Artist
Friday, August 25th, 2017

“That is What Painters Do. We Look for Subject Matter”: Clintel Steed in conversation with David Cohen

“I wanted to paint this subject because all the athletes are so in tune with themselves”

cover of the book under review, with portrait of the artist by Chuck Close
Tuesday, August 22nd, 2017

The Beholder’s Share

Drawing on family experience, the author dives into the neuroscience of figuration and abstraction