Saturday is the last day not only to see Sheinkman’s show but alas any show at Lennon, Weinberg, Inc. as the gallery is closing after a long run of operations in multiple neighborhoods. artcritical wishes Jill Weinberg Adams an active and contented retirement, richly deserved, and takes this opportunity to express deep gratitude for the many … Continued

Mira Schor: California Paintings: 1971-1973 In 1972, NYU graduate Mira Schor headed to LA to enroll in the fabled Feminist Art Program which Judy Chicago and Miriam Schapiro had recently brought to CalArts. Schor also participated in the experimental Womanhouse project that same year. Fresh with youthful idealism, many of these works haven’t been since … Continued

Today (Saturday) at 5pm With introductory remarks by Prem Krishnamurthy, Printed Matter, Inc., 231 11th Avenue at 22nd Street Like her subject, Brian O’Doherty-expert Brenda Moore-McCann is a true Irish polymath—for one thing, they are both qualified as medical doctors. Moore-McCann, who teaches at Trinity College, Dublin, is the author of Brian O’Doherty/Patrick Ireland: Between Categories … Continued

Artists reviewed: Hannah Black, Aaron GIlbert, David Humphrey (left), Charles LeDray

In the last century one might have visited modern masters at the Guggenheim or the Modern blithely unaware that the uniformed custodian at one’s side was another in the making, say Jackson Pollock or Robert Ryman. A higher percentage of visitors to Matthew Marks Gallery, however, intuit that the incredibly helpful and respectfully engaging woman behind … Continued

Yet another panel moderated by David Cohen? According to The Villager critic Nancy Elsamanoudi, reviewing the group exhibition “Incise, Echo, Repeat” at the Abrazo Interno Gallery at The Clemente, “This surprisingly magical, beautifully curated show … seems to rebut, with a smirk, grumpy old muggle notions that painting is somehow dead. Indeed, some of the paintings literally … Continued

Project room show opens Friday at M. David & Co in Bushwick

A street artist moved by the tragedies of his time

2018 artcritical prize at the New York Studio School

If the opening scene from 2001: A Space Odyssey were painted by an Abstract Expressionist the result might resemble a Gerard Mossé with his typical hi-tech totem pulsating with ethereal, other worldly light. The North African-born New Yorker has a preternatural capacity to enlist color to the service of such electric glow one is tempted to check if … Continued