Artworld
Saturday, November 14th, 2020
This 2014 article on Matt Freedman is offered as tribute to the artist who died recently ...
Tuesday, September 11th, 2018
Instigator of Williamsburg’s Sideshow Nation, an annual show with hundreds of artists ...
Thursday, June 7th, 2018
Despite her range, Hafif was frequently allied with monochrome painters ...

Cabaret Sign “Bat,” late 18th century–early 19th century. France. Wrought iron and rolled iron, repoussé, fastened with rivets; glass, 24-3/4 × 24-1/4 × 2 3/8 inches. Musée de la ferronnerie Le Secq des Tournelles, Rouen
Sunday, December 13th, 2015

Incarnated Curves: Ornamental Ironwork at the Barnes Foundation

In honor of the artist and great friend of artcritical we repost this review of iron works from Rouen from 2016.

Thursday, November 12th, 2015

Inside the Zlamany Studio: A Photo Essay by Robert Banat

As Brenda Zlamany paints a portrait she becomes the subject of two others

Lennart Anderson, Golden Age 1, 1956. Oil on canvas, 20 x 16 inches. Collection of the Artist
Wednesday, October 28th, 2015

Order, Poise and Delight: Lennart Anderson, 1928 to 2015

One painter’s tribute to a mentor, with an additional comment by David Cohen

Saturday, October 24th, 2015

Thinking Big in a Small Town: Ball & Socket Arts Takes Shape

Kevin Daly, the high school art teacher launching the Mass Moca of Connecticut

Photo of Jackie Brookner. Courtesy of parsons.edu
Wednesday, October 7th, 2015

Work embodying a solution to the problem it references: The Legacy of Jackie Brookner

Memorial at Parsons October 17 for pioneering ecological artist

Flower Gallery of London and New York with works by Richard Smith at Expo Chicago 2015. Photo: Deven Golden for artcritical.com
Wednesday, September 23rd, 2015

More Incarnations Than Dr. Who: Expo Chicago 2015

Taking stock of an art fair, four years into new management

Wednesday, June 24th, 2015

Waste Not, Want Not: An Inquiry into What Women Saved and Assembled — Femmage

In homage to the late Miriam Schapiro, this classic text of the feminist art movement

Thursday, June 4th, 2015

Bushwick Means Business: Open Studios Weekend, June 5 to 7

Weekend Packed with Open Studios, A Fair, Group Shows Galore

Photograph of Selina Trieff in 1960
Thursday, May 7th, 2015

Drawn to the Larger Mystery: Selina Trieff, 1934 to 2015

Her paintings were a comedy of strangely familiar selves

James Adley, Carmine, 2007. Acrylic on panel, 24 x 36 inches. Courtesy of the Artist
Thursday, May 7th, 2015

Grand Symphonic Paintings: James Adley, 1931 to 2015

“Size was a necessary component of his symphonic ambition for painting”