criticismDispatches
Thursday, August 16th, 2018
Selected works by Charles Long, installation shot, Made in L.A. 2018. Courtesy of UCLA Hammer Museum. Photo: Brian Forrest
The fourth “Made in L.A.” is at the Hammer through September 2 ...
Monday, August 13th, 2018
Presented by the museum of her work, through September 30 ...
Monday, July 23rd, 2018
The capital of Western New York is ripe for artists looking for a place to hang their hats ...

Tuesday, November 7th, 2017

“A Search For Solace”: Karl Ove Knausgård Curates Edvard Munch

The exhibition was at the Munch Museum, Oslo, this summer

Saturday, October 14th, 2017

Triumph of the Readymade: Damien Hirst in Venice

“Treasures from the Wreck of the Unbelievable” at Palazzo Grassi/Punta della Dogana

Wednesday, July 5th, 2017

A Hybrid State: Art by seven Iranian-American women

Echo, curated by Azita Moradkhani, at Gallery Kayafas

Installation shot of "Tous contre le spectacle" , private exhibition curated by Wolfgang Scheppe, Venice, 2017
Tuesday, June 13th, 2017

The Return of the Real: Venice Biennale 2017

The first of artcritical’s dispatches from Europe this summer

Jennifer Coates and David Humphery, Untitled, 2017. Acrylic on canvas, 22 x 30 inches. Courtesy of the artists
Thursday, May 18th, 2017

Phrogz That Collaborate: Jennifer Coates and David Humphrey in Nebraska

Husband and wife team up at hip Lincoln powerhouse, Fiendish Plots

Wilmer Wilson IV, still from Channel, 2017. Photo by Allison McDaniel, courtesy of the artist.
Thursday, May 11th, 2017

The Heroism of the Crowd: Flânerie at the Barnes Foundation

Person of the Crowd: The Contemporary Art of Flânerie is on view in Philadelphia through May 22

Yvette Brackman, AGIT MEM, 2016. Video still. Courtesy of the Artist
Friday, April 14th, 2017

The Gentle Art of Disruption: Three Shows in Philadelphia

Stephanie Bursese and Yvette Brackman at Vox Populi, Patrick McCaughy at Practice Gallery

Yosef Zaritsky, Yehiam (Life on the Kibbutz), 1951. Oil on burlap mounted on canvas, 208 × 228 cm. Collection Tel Aviv Museum of Art
Tuesday, February 7th, 2017

Postwar: A Revisionist Vision from Munich

An major survey exhibition at the Haus der Kunst offers a global approach

William King, Marry Me, 2010. Balsa, polychrome, 28 x 16 x 8-1/2 inches. From the collection of Connie Fox, Photo: Jenny Gorman
Sunday, December 4th, 2016

Your Feet’s Too Big: Connie Fox and William King at the Guild Hall, East Hampton

Artist couple exhibition is on view through December 31

Saturday, November 5th, 2016

Conflicted Ambitions: Abstract Expressionism at London’s Royal Academy

Art made in turbulent times revisited in a conflicted present