criticismDispatches
Thursday, August 16th, 2018
 
Selected works by Charles Long, installation shot, Made in L.A. 2018. Courtesy of UCLA Hammer Museum. Photo: Brian Forrest
The fourth “Made in L.A.” is at the Hammer through September 2 ...
Monday, August 13th, 2018
 
rego-cover
Presented by the museum of her work, through September 30 ...
Monday, July 23rd, 2018
 
Screen Shot 2018-07-23 at 5.46.53 PM
The capital of Western New York is ripe for artists looking for a place to hang their hats ...
 

Saturday, October 14th, 2017

Damien Hirst, The Warrior and the Bear, 2017. All rights reserved, DACS 2017

Triumph of the Readymade: Damien Hirst in Venice


“Treasures from the Wreck of the Unbelievable” at Palazzo Grassi/Punta della Dogana

Wednesday, July 5th, 2017

Sepideh Behrouian, Double Cup, 2016, oil on magazine page, 8.2 x 11.4 inches. Image courtesy of the gallery.

A Hybrid State: Art by seven Iranian-American women


Echo, curated by Azita Moradkhani, at Gallery Kayafas

Tuesday, June 13th, 2017

Installation shot of "Tous contre le spectacle" , private exhibition curated by Wolfgang Scheppe, Venice, 2017

The Return of the Real: Venice Biennale 2017


The first of artcritical’s dispatches from Europe this summer

Thursday, May 18th, 2017

Jennifer Coates and David Humphery, Untitled, 2017. Acrylic on canvas, 22 x 30 inches. Courtesy of the artists

Phrogz That Collaborate: Jennifer Coates and David Humphrey in Nebraska


Husband and wife team up at hip Lincoln powerhouse, Fiendish Plots

Thursday, May 11th, 2017

Wilmer Wilson IV, still from Channel, 2017. Photo by Allison McDaniel, courtesy of the artist.

The Heroism of the Crowd: Flânerie at the Barnes Foundation


Person of the Crowd: The Contemporary Art of Flânerie is on view in Philadelphia through May 22

Friday, April 14th, 2017

Yvette Brackman, AGIT MEM, 2016. Video still. Courtesy of the Artist

The Gentle Art of Disruption: Three Shows in Philadelphia


Stephanie Bursese and Yvette Brackman at Vox Populi, Patrick McCaughy at Practice Gallery

Tuesday, February 7th, 2017

Yosef Zaritsky, Yehiam (Life on the Kibbutz), 1951. Oil on burlap mounted on canvas, 208 × 228 cm. Collection Tel Aviv Museum of Art

Postwar: A Revisionist Vision from Munich


An major survey exhibition at the Haus der Kunst offers a global approach

Sunday, December 4th, 2016

William King, Marry Me, 2010. Balsa, polychrome, 28 x 16 x 8-1/2 inches. From the collection of Connie Fox, Photo: Jenny Gorman

Your Feet’s Too Big: Connie Fox and William King at the Guild Hall, East Hampton


Artist couple exhibition is on view through December 31

Saturday, November 5th, 2016

Clyfford Still, PH-950, 1950. 
Oil on canvas, 233.7 x 177.8 cm. 
Clyfford Still Museum, Denver (c) City and County of Denver / DACS 2016.
Photo courtesy the Clyfford Still Museum, Denver, CO

Conflicted Ambitions: Abstract Expressionism at London’s Royal Academy


Art made in turbulent times revisited in a conflicted present

Wednesday, September 14th, 2016

Yeshaiahu Rabinowitz, Green Colored Head, ca. 2014-15. Synthetic felt, 43 x 26 x 19 cm.

Heroic Fantasy: Yeshaiahu Rabinowitz at Hansen House


The Israeli sculptor and video artist contends with physical manifestations of war and trauma.