February 2008: James Gardner, Barry Schwabsky, and Robert Storr with moderator David Cohen
Ellen Berkenbilt at Anton Kern, Katy Grannan at Greenberg Van Doren Gallery and at Salon 94 Freemans, Jane Freilicher at Tibor de Nagy, William Kentridge at Marian Goodman and Chris Martin at Michell-Innes & Nash
A Surfeit of Genius: William Kentridge at Marian Goodman Gallery
Seeing Double is packed with elaborations of his trademark idiom: imagery transmogrified
Alan Saret at the Drawing Center, Richard Pousette-Dart at Knoedler
Physical gesture means the artist’s hand is present yet transcended: there is no question that the arcs or circles are handmade, but an unforced, lyrical all-overness creates a cosmic, suprapersonal sense of order and well-being.
Katy Grannan at Salon 94 Freemans and Greenberg Van Doren; Lina Bertucci at Perry Rubinstein
There is a pervasive ambivalence in Katy Grannan’s portraits: the gaze that returns the viewer’s is a mix of coyness and exhibitionism. The images themselves oscillate between similar extremes, building a visceral sense of the present through precision while succumbing to a remoteness that results from theatricality.
The Theatre of the Face: Portrait Photography Since 1900 by Max Kozloff
Published by Phaidon Press, 2007, www.phaidon.com 336 pages, 280 black & white photographs, 70 color photographs $69.95 When the findings of history, a discussion of uses and the reconstruction of story blend with criticism, portrait content, I hope, is enlivened. Still, the narratives within it keep on turning, like the expressions on faces, themselves… (p. … Continued