El Anatsui at Jack Shainman, Damien Hirst at Gagosian, Yvonne Jacquette at DC Moore, and Tino Sehgal at the Guggenheim
Stylistic textures are revealed to be unselfconscious tics without which Steffen cannot construct flesh.
Storms of tiny lines and colored boxes remain powerful statements on their own, even if they were to be completely disconnected from the music they ultimately represent.
The drawings are filled with information and speculation.
Eggleston and Arbus promoted the shared view that no subject is uninteresting when captured a compelling way.
Bronstein appears to want to draw classical buildings as though he were at work in a perpetual ancient regime.
Corio brings a hard-earned sense of humor and mischief to abstraction rooted in the phenomenology of optical sensation, a branch of contemporary art not exactly known for big laughs.
Brian Alfred at Haunch of Venison