Hollowell combines eroticism, landscape, and allusions to natural and human form.

Industry and Intelligence: Contemporary Art Since 1820

Siri Berg: In Color, the retrospective of the Swedish-born veteran of hard-edge abstraction curated by Peter Hionas, opens November 17 at the Shirley Fiterman Art Center at Borough of Manhattan Community College. Berg, who is a thriving and active artist now in her mid-90s, will also be the subject of a documentary set to premiere … Continued

Mary Jones discusses her work with fellow artist Brenda Zlamany at her one-person show “Proxima b” at John Molloy Gallery (on view through November 26) and in her Chelsea studio. Really, the conversation began when Jones sat for a portrait in Zlamany’s Watercolor Portrait a Day project, which lead to an article here at artcritical … Continued

Moderator David Cohen’s guests are Zoë Lescaze, Nancy Princenthal and Christian Viveros-Fauné   Reserve seats now  

One of the striking aspects of the controversy around Kelley Walker’s exhibition at the Saint Louis Contemporary Art Museum (CAM) is how many important issues it raises, including, obviously, the perilous state of race relations in the country; the dilemmas that arise when one person’s freedom of speech is perceived by someone else as hate … Continued

How is an artist’s legacy kept and remembered? Jill Magid’s recent work examines an estate problem.

This recent Bushwick show examined the relationship between digital and physical labor

“if Kelley Walker had made a cogent argument for his art… there would have been far fewer expressions of anger and outrage.”

In 2005, Vito Schnabel organized Ron Gorchov’s first solo show in New York in over a decade, focusing then as now on his output in the 1970s. Since then the veteran master of abstraction has seen belated and well-deserved adulation in the forms of exhibitions and critical attention. Reviewing Schnabel’s 2005 pop up in these … Continued