Heidi Van Wieren at Margaret Thatcher Projects
The consequences of Van Wieren’s style allow for simultaneous readings of her art.
In & Out of Amsterdam at the Museum of Modern Art
As these mercurial installations, films, and performances indicate, Conceptual art often yielded works of great elegance in novel forms of presentation.
Jimmy Wright at the Metropolitan Museum of Modern Art
This was an artcritical PIC in August 2009.
Ann Stokes: Artists’ Potter, edited by Tanya Harrod
Some artists change the way that you understand art history. Ann changed the way that I and many other people understood everyday life.
Paint Made Flesh at the Phillips Collection
Paint Made Flesh at the Phillips Collection, and other shows this summer, reveal a love affair between a material painters use and the material all of us are.
Books in Brief
NAMIES AND NEWBIES: THE KRAMARSKY COLLECTION 560 Broadway A New York Drawing Collection at Work 1991-2006, edited by Amy Eshoo, with contributions by Derrick R.Cartwright, James Cuno, Elizabeth Finch, Josef Helfenstein, Glenn D. Lowry, David Mickenberg, Ann Philbin, Earl A. Powell III, Jock Reynolds, and Townsend Wolfe. Fifth Floor Foundation in Association with Yale University Press, … Continued
Provenance: How a Con Man and a Forger Rewrote the History of Modern Art by Laney Salisbury & Aly Sujo
One of art historian Leo Steinberg’s hobby horses is the way the literature of art generates interpretations that are autonomous of the images being described. What is written about a work can spin false leads and confused trails that looking directly at the work ought to dispel. Just as this happens with the historical interpretation of … Continued