Her paintings were a comedy of strangely familiar selves
“Size was a necessary component of his symphonic ambition for painting”
The photographer’s new series connects the financial crisis to biblical narratives of guilt and redemption.
Works from the 1960s and 1970s in shows at Elkon and Loretta Howard
A one-man group show of possibilities at Cheim & Read
A visit and discussion at Richard Diebenkorn’s Royal Academy retrospective.
Seen recently at DC Moore, the French Institute, the Brooklyn Historical Society and BRIC