Drawn to the Larger Mystery: Selina Trieff, 1934 to 2015
by David Brody
Her paintings were a comedy of strangely familiar selves
Grand Symphonic Paintings: James Adley, 1931 to 2015
“Size was a necessary component of his symphonic ambition for painting”
Philip-Lorca diCorcia on America’s Sins
by Allie Biswas
The photographer’s new series connects the financial crisis to biblical narratives of guilt and redemption.
Friedel Dzubas: Thesis/Antithesis/Synthesis
by Piri Halasz
Works from the 1960s and 1970s in shows at Elkon and Loretta Howard
Loom of Origins: Bill Jensen’s Way of Developing
A one-man group show of possibilities at Cheim & Read
Richard Diebenkorn at the Royal Academy: Six Painters on a Painters’ Painter
A visit and discussion at Richard Diebenkorn’s Royal Academy retrospective.
Mapping Joyce Kozloff: The Political and The Decorative Intertwined
Seen recently at DC Moore, the French Institute, the Brooklyn Historical Society and BRIC