As one grasps the combination of flatness, space, and light in Haynes’ paintings, the subtleties of her sophisticated palette and tonal gradations reveal a seductive luminosity.

However closely she references classical, renaissance and modernist genres, her paintings never lapse into nostalgia, but instead give off an arch contemporary emotion.

In Julian Schnabel’s film Basquiat, the title character, exemplar of the flameout credo of the East Village, is assisting an artist-installer at the Mary Boone Gallery.  This mediocrity, played by Willem Da Foe, attempts to counsel the hero about the benefits of a reliable day job.  Basquiat replies that someday he would show on those very … Continued

Visiting San Antonio, Texas for Marcia Gygli King’s mutli-venue retrospective, ALISON HEARST discovered a robust art community of involved participants and high-caliber work.

The painter Barkley L. Hendricks caught not only the mood, but also the dress of black Americans in the late 1960s and early 1970s. Indeed, the subhead of the Studio Museum’s exhibition, “Birth of the Cool,” gives the nod to the development of a style whose casual hipness and intimated militancy marked a generation of African Americans.

March 6 to 24, 2009 24 Spring Street New York City, 212 965 9995 POETRY FOR ART presents newly published poetry (or poetry posted to the web for the first time) that relates, responds, or is dedicated to the work of a contemporary artist on display in New York or elsewhere at the time of … Continued